Break through at your dance competitions

Many competitive dancers are looking for ways to break through to higher scoring at dance competitions. Hours upon hours of rehearsal, of focused practice, is the number one requisite to winning. In addition to practice, much effort and thought goes into creating the perfect costume.

Don’t overlook the foundation for any dance choreography: the music. The music provides the energy, the vibration, and the platform to express emotion and story in the dance.

One way to lift your dance to the next level is to use a fresh, original remix of the music you use for your choreography. There is no reason to use overplayed songs when there are many things you can do to make your music unique. You don’t have to settle for simple edits. Your music can be much more than that.

Squirrel Trench Audio is in the midst of new season of spectacular, original remixes for competitive dance as well as recitals. I will be sharing many of these original remixes once their routines have premiered in competition the weekend of March 3, 2012. If you have a routine you are proud of, and are interested in taking the music for the routine to the next level before competition season gets underway, shoot me an email.

Behind the scenes of a Beatles remix

It’s been a pleasure, a joy, and labor of love creating the Beatles remix called Somehow Someway. I can’t wait to see the choreography for this routine performed at Regionals and National dance competitions in 2012.

I’d thought I’d give folks a sneak peek at what went into the creation of the music for this piece.

More behind-the-scenes peeks of this remix will be posted soon. Let me know if this is useful to you, and I’ll do this for other remixes I’ve made. Questions? Comments?

Walk This Way (dance competition remix)

This song was remixed expressly for a dance teacher at a nationally-recognized dance studio, using both a swing and live version of Aerosmith’s Walk This Way. This remix was used as the basis for tap choreography for a small group at regional and national competitions.

Here’s how it looked at Nationals:

To learn more about how I created the ending for this song, check out this post and video about avoiding awkward fade-outs.

If you are looking for an original remix for your next choreography, check out my services here.

Video tutorial: How to Avoid Awkward Fade-outs (Part 2)

Here is Part 2, in which I explain how to avoid awkward fade-outs when editing songs for your dance routines:

In case you missed it, here’s Part 1 of this video tutorial, where I explain why this is important.

Let me know what you think, and what aspects of editing music for dance you’d like me to cover in future video tutorials!

Ready to step up your dance?

As has been pointed out previously, music is the foundation of dance. You can easily verify this for yourself by realizing what happens when the emcee plays the wrong music at a competition….. the dancer freezes because it’s not the right music.

If you are a high-level dance studio owner or teacher, and you regularly bring your students to regional and/or national competitions, and you want to step up your routines, where should you start? Answer: The music. If you are working with exciting music, music that gets your kids pumped up, they will naturally perform better. If you, as choreographer are excited about the music, you will bring your enthusiasm to the choreography you create. On the flip side, if you are using stale, flat, worn-out music, it’s hard to generate enthusiasm, either in yourself or your students.

What’s the answer? Try an original Squirrel Trench Mix. I’ve created many original mixes based on modern interpretations of classic songs, including train medleys, a Beatles remix, a slumber party theme, a Mary Poppins remix, a Pixie Hollow remix, and more. I also have a slate of original remixes and medleys scheduled to create for a studio in Canada that I am eager to begin work on shortly.

If you have a theme idea and you want the music to provide the foundation to help you create original, exciting choreography to break through the multitude of routines that judges will view, then contact me to find out about our editing and remixing services. I’m excited about the remixes I’ve already done for the upcoming season, and I can’t wait to create yours!

Break a leg in the upcoming 2011-2012 dance season!

When do you prep your music?

If you aren’t already a fan of Squirrel Trench Audio on Facebook, feel free to “like” us. (We’re also on Twitter if you want to follow us there.)

We’ve just added a poll on our Facebook page, and would be thrilled to get your answer. Check out the poll, and submit your answer here: Dance teachers – when do you select and prep your music for the upcoming dance season?

Original remixes for your dance routines

Are you looking for new, exciting, and fresh music for your next dance routine? Then you are ready for a custom Squirrel Trench remix. Your music should be as memorable and fresh for the judges as your choreography.

Here are some samples:

Pixie Hollow – Squirrel Trench Remix

Drive – Squirrel Trench Remix

Original Squirrel Trench Remixes are already underway (and some completed) for the upcoming 2011-2012 dance season. These remixes include the Beatles, a Slumber Party theme, a train theme, a movie theme, and others.

If you are interested in a custom Squirrel Trench Remix for this upcoming dance season, send me an email!

Songs for tap dance routines

Below are some music ideas for your next masterpiece of tap choreography. These will work for competition or recital. If you have other great song ideas, leave them in the comments below and I’ll add ‘em! If you want to use any of these songs and need them edited perfectly for competition, we’d love to serve it up for you. Also, we have song suggestions for JazzContemporaryLyricalMusical Theater, and Kid Friendly Hip Hop. And here are even more songs for tap, and Songs for Tap, Part 2 and Part 3.

Upside Down – Jack Johnson

Man with the Hex – Blue Babies
Man with the Hex – The Atomic Fireballs

We Speak No Americano (Mafia Boys Mix) – Yolanda Be Cool

Drive My Car – Bobby McFerrin

Showbiz – Mike Stern

Mr. Success – The Hit Co.

Creep – Richard Cheese

Jungle Drum – Emilliana Torrini

Mr. Pinstripe Suit (live) – Big Bad Voodoo Daddy

Need any of these songs edited? Let me know.

Find even more tap songs here, and Songs for Tap, Part 2 and Part 3.

Songs for jazz dance routines

Below are some music ideas for your next jazz dance routine. These will work for competition or recital. If you have other great song ideas, leave them in the comments below and I’ll add ‘em to the listing in the header above (Song Suggestions). If you want to use any of these songs and need them edited perfectly for competition, we’d love to serve it up for you. If you like these, we also have song suggestions for TapContemporaryLyricalMusical Theater, and Kid Friendly Hip Hop. There are even a bunch more songs for Jazz Routines.

I Get A Kick Out of You – Tierney Sutton

Dirty Laundry – Bitter:Sweet

You’re The One That I Want – Grease (New Broadway version)

Real Love – Katherine McPhee & Elliott Yamin

Sneakernight – Vanessa Hudgens

What is Jazz? – Club des Belugas

Some Kind of Wonderful – Joss Stone

Flirt – Cameo

Just You, Just Me – Nat King Cole

I Am – Hillary Duff

What exactly is good music editing for dance routines?

With the proliferation of free and cheap audio editing software, many dance studios have taken it upon themselves to handle the editing of their dance music. While it is certainly better to edit a song yourself than to not edit it at all, a top-notch dance studio may want to consider having their songs professionally edited.

Why would a dance studio have their music professionally edited?

Teachers and students at a quality dance studio spend hours upon hours perfecting their dances for recital, competition and other performances. Students practice all of their routines in class and at home. Every nuance, every detail of motion is perfected and cleaned up. Every detail, from how the dancers enter to how they exit the stage is choreographed for optimum audience enjoyment and professional presentation. The same is true for costumes and makeup. The details of the appearance are examined and refined.

So if a dance studio is spending countless hours and dollars to ensure every aspect of the dancers’ movement and appearance is the best it can possibly be, why wouldn’t they also want to ensure that the music, the foundation for every dance performance, is also as great as it can be? Why use music for performance that has glitches, awkward fade-outs, mismatched beats, frozen statue intros, abrupt jumps and other scars when seamless music can be created by a skilled music editor?

What does professional music editing for dance entail?

Some people think that dance editing is simply employed to remove swear words or other inappropriate lyrics from a song. But editing music well is much more than than, and certainly much more than fading a song out at the desired length of the routine. In fact, 90% of the time fading the music out at the desired length for the routine is at an awkward point in the song, leading to the most common music editing mistake heard at dance competitions. In this blog post I explain exactly how to avoid awkward fade-outs. (Here are the other Top 5 mistakes made in dance music editing.)

A skilled music editor, who understands what dancers need in a competition or recital-length routine, does a lot more than simply a fade a song out or edit out swear words. A skilled song editor analyzes a song for its structure, and then determines how that structure can be changed, sliced, or rearranged in order produce a new song that makes sense from beginning to end. Usually this involves shortening an intro, removing a verse and/or a chorus, shortening instrumental solos, and so on. This process is something that requires a great deal of skill and experience, in both music and audio editing, to execute flawlessly.

Skilled audio mix engineers not only rearrange the structure of an existing piece of music, they can perform quite a number of other audio engineering techniques such as changing the equalization of the music to better fit the dancer, speed up or slow down all or parts of a song without changing the pitch, add reverb to edit points or endings where it makes sense, and even increase the volume (slightly) of older recordings without causing clipping distortion.

The sad but unfortunate fact is that many dance teachers don’t even realize that they utilizing music with poor edits in their routines. Dance teachers are trained in the visual arts, and are experts at choreography and movement. Few are also exceptionally well-versed in music structure or audio editing. Therefore, dance studios would enhance the quality of their performance by utilizing the services of an experienced music editor to handle the process of editing songs to the right length for dance numbers.

As I mentioned before, it’s not too late to have a song with a music hiccup or glitch fixed in time for Nationals. In fact, I’ve just finished repairing a song like that right now… the dance routine is SPECTACULAR, winning Platinum and 2nd overall, and the music is by a well-known artist who hit the scene in the 80s. The song, as edited by the student, was wonderful all the way up until the very end when there was a fade out, followed by an abrupt jump into the last few notes. But have no fear, Squirrel Trench Audio now has the ending smooth and flawless! And since the routine has already been choreographed, I kept all aspects of the song identical to the original edit, except for the newly perfected ending. If you are cleaning up your dance moves after regionals, going into nationals, it makes sense to clean up your music too!