Due to popular demand, Squirrel Trench Audio is pleased to present a squeaky clean version of the new hit Stand by You by Rachel Platten. All instances of the word ‘hell’ have been replaced with the word ‘fire’. This cleaned song is available in a full-length (3:33) version as well as a 2:24 shortened version. Enjoy!
I am honored to be on the Advisory Panel of YPAD; Leslie Scott’s organization to educate the dance community about the dangers to impressionable young minds when they dance in inappropriate routines. To further that goal, I am pleased to offer the song “Barbie Girl” minus the words “undress me anywhere” and minus other suggestive lyrics that occur in this otherwise fun and bouncy song. And I’m offering it for FREE ($2.28 if you don’t already own both versions used to create this cleaned edit). If your studio is already using this song this season, I will match your existing edit with this squeaky clean version for FREE so that no re-choreo’ing is needed. Don’t let your routine take deductions for inappropriate lyrics. Click the graphic below to take a listen and hear for yourself how great this song can still sound when the suggestive lyrics are removed.
In addition, Squirrel Trench offers three other shorter lengths of this squeaky clean edit at $9.99 each.
Is it possible to fuse funk with Irish Dance? The answer is yes, as proved beautifully by Tara Shaye Lynch. Tara’s mother asked me to create a 90-second custom clean edit of Uptown Funk last year, and congratulations to Tara for winning Ms. Cheshire Outstanding Teen of 2015 with it! Enjoy this fun 90-second routine:
Squirrel Trench Audio’s clean versions of Uptown Funk remain one of our best selling tracks on Legitmix, and prices have been reduced to $4.99 for any version that you may need.
Confident by Demi Lovato is a hot new song that has a great beat for dance. There is both an Explicit version and a Clean version on iTunes. However, even the clean version has some lyrics that are not necessarily well suited for kids.
Squirrel Trench Audio now has three great-sounding edited versions with clean lyrics, suitable for all ages and situations, including dance studios, competitions, recitals, and talent shows. Each of these edits is $4.99.
Here is the 2:45 length version:
Also available is a 2:15 length version:
And a 1:58 length version:
For more great songs that have been cleaned of objectionable lyrics, Squirrel Trench Audio has a collection of full length clean songs here:
And in fact, Squirrel Trench Audio’s entire catalog on Legitmix is clean, so any remix or edited song you find there, that is created by Squirrel Trench Audio, is clean. Search the Squirrel Trench catalog on Legitmix here.
After the smashing appearance in the opening number to the recent Dancing With the Stars episode, Emergency by Icona Pop has been flying up the charts. Unfortunately, for dance teachers and choreographers, the only version currently available on iTunes is Explicit.
Squirrel Trench Audio now has a great-sounding version with clean lyrics, suitable for all ages and situations, including dance studios, competitions, recitals, and talent shows. The full-length clean version is $4.99. Also available is a 2:15 length version. We have also created a Spicy Clean remix with a 2:32 length.
For more great songs that have been cleaned of objectionable lyrics, Squirrel Trench Audio has a collection of clean song edits and remixes. View the listing of songs and remixes here.
Honey, I’m Good by Andy Grammer has been lighting up the charts over the past couple of months, but it includes some inappropriate language. Squirrel Trench Audio is pleased to provide a clean, full-length version of this hit song.
Music is a part of every dance studio. Music is used in just about every dance routine. Therefore, it’s important to have a good understanding of the costs of music in your studio, and how to charge appropriately for it, so that you don’t take a loss on your studio’s music expenses.
There are two major expense areas associated with music in the dance studio, Performing Rights Organizations (PROs) licensing fees, and music editing and remixing costs. In addition to these two costs, there are potentially other expenses if you have a competitive studio and audio CDs must be created for competitions. Also, if students expect to receive rehearsal CDs, there is a cost associated with that as well. However, for this article, I will ignore CD-creation costs since today there are online options for sharing music privately with students, and many competitions accept music uploads or submission via iPod or flashdrive.
To find out dance studio’s Performing Rights Organization costs, I contacted the two primary PROs in North America, ASCAP and BMI, and found their published annual fees for different sized dance studios. (Size is determined by total number of students.) I ignored SESAC licensing fees since the number of music artists they represent is a very small fraction of the other two major music PROs, and many dance studios don’t use any music represented by SESAC.
This leaves us with the last major expense in music for a studio; editing or remixing music to optimize it for dance routines. No matter what avenue you use to get your dance studio’s music edited or remixed, whether it’s done yourself, left up to each dance teacher, or if you hire a professional, there is a value associated with music editing that should never be absorbed by the studio nor the choreographer. In my experience, $29 is an average value for editing a song optimally for dance routines. In addition to editing a song, many popular songs today need to be cleaned of inappropriate lyrics, which requires skill and time to do. Also, competitive studios may benefit from having unique remixes created for group routines, especially high-calibre or “elite” teams. These unique remixes can be created at an average price of $99.
I have prepared a spreadsheet, below, showing the total music costs using average studio sizes shared by members of the Facebook group, Dance Teachers’ Network. I have divided the spreadsheet up into three typical studio sizes; a smaller studio with 130 recreational students and no company students; a medium studio with 352 students of which 77 are competitive; and a large studio with 690 students of which 115 compete.
The important thing to note is that in order not to have a loss on the studio’s music costs, these example studios charge a modest annual music fee per student. For many studios, $19 per student will cover all music expenses, and create positive cash flow for the studio, an extra $800 for the small studio example. However, each studio is unique, and will have a slightly different cost structure. After analysis, you may discover that you have a high number of routines per student (such as the Medium-sized studio in this example), and if that’s the case, the annual music fee you charge might have to be $24 or $29 per year in order not to take a loss.
Bear in mind that every studio is different in its approach, in terms of number of students and number of routines performed, and therefore the annual music fee needed to result in a profit and not a loss for each studio is different as well. The important thing is to run the numbers for YOUR studio, so that you come out ahead, or at the very least, break even. (It’s best to build in a small profit cushion to guard against unexpected expenses that always seem to crop up.)
If your studio has never charged an annual music fee before, you may have some dance parents question this new charge (even if it’s pretty small). Keep your explanation simple and straightforward; that this small annual fee covers all of their student’s dance music expenses for the year, including obtaining the license to use the music in their routines from the relevant Performing Rights Organizations, as well as all editing and remixing costs.
Alternatively, in your studio’s market, it just may not be feasible to have an annual music fee to be competitive with other studios in your area. If that’s the case, the music fee of approximately $19 could be added to your regular annual registration fee.
In the spreadsheet above, I have shown two different options (out of many) that a studio could choose in order to create positive revenue associated with the studio’s music. In Plan A of the spreadsheet, the same annual music fee is charged to both Recreational and Company students. However, it’s reasonable to charge Company students a slightly higher music fee since they often perform in more routines, especially solos, or in elite groups which have more expensive custom remixes. Therefore, in Plan B of the spreadsheet, I show the studio’s net music profit if Company students are charged an additional $10 over what Recreational students are charged.
In all cases, this spreadsheet shows how smart dance studios cover their music costs (and even have a few dollars left over). Conversely, studios that don’t charge an annual music fee wind up having to absorb their music expenses from other studio revenue.
If you are a dance studio owner, and have any questions about properly handling music income and expenses for your studio, please feel free to send me an email at firstname.lastname@example.org. I’d be happy to provide you with a modification to this spreadsheet using your studio’s exact number of students and routines.
Response to Squirrel Trench Audio’s clean versions of Uptown Funk has been overwhelming. It’s wonderful to know that dance teachers, fitness teachers, school recitals, hip hop classes, and more, will all be enjoying a clean, school-age appropriate version of this instant classic hit. Mark Ronson and Bruno Mars have come up with an amazingly fun, funky, and catchy tune.
In addition to the full-length clean version, we now also offer a super-squeaky clean version of Uptown Funk, with the words “sexy” also removed in addition to all of the other objectionable lyric content removed. This version also has the exciting intro as played in the band’s Saturday Night Live performance from the fall of 2014. Take a listen to the super-squeaky clean version:
This version now complements the many other clean versions Squirrel Trench Audio has created for you. Here are links to all the other versions and lengths:
If you know you need a shortened version, but aren’t sure which one to get, you can get every version in this clean Uptown Funk collection here:
In addition to having just about every clean version of Uptown Funk you might need, we have also done customized versions as well. If you need a clean Uptown Funk, but with something modified, we can get that done for you. Just use this Request Form, and we’ll make it happen.
Happy to announce our latest addition to the Squirrel Trench Audio catalog of cleaned, edited and remixed music on Legitmix: Who Run The World Girls (Ultra Clean Version) by Beyoncé. While there exists a clean edit on iTunes, the clean edit may not be clean enough for many dance or fitness teachers. This Ultra Clean version removes all instances of the word “Mutha” as well as all instances of “F. U.”.
This Ultra Clean edit of Who Run The World Girls is available on Legitmix for only $4.99
A YouTube preview is here:
When editing, cutting or mixing music yourself, don’t let the audio degrade. Be careful when you do audio editing. Sometimes I get requests to fix or clean already-edited songs, and when I hear the edit supplied, it sounds like a bunch of squirrels have gotten in and trenched the music.
There are many reasons audio can get degraded, and many different types of problems that inexperienced music cutters can create. When you put degraded music on stage, it’s really not much different than putting a dancer on stage with a tattered costume.
Here are just a few things to watch out for:
- Don’t let the volume drop. You don’t want your music to be far softer than everyone else’s. Trust me, this happens.
- Don’t turn up the volume either. You may not hear the distortion on your laptop or iPad, but when played on a large sound system, the distortion sounds terrible and piercing. I’ve heard this in competition a number of times as well.
- Don’t make a copy of a copy of a copy of a copy of an mp3, or get the audio from YouTube. People think that you can make a copy of a digital audio file, and it will never degrade. That’s true of AIFF or WAV files, where all of the audio information is retained in the file. But mp3 degrades the audio a little bit every time it’s saved. So when you make a copy of a copy it gets worse, just like a cassette (though not as dramatically worse of course). One generation of high quality mp3 is not that much worse than the original. But several copies like this, and it sounds awful compared to the original.
There are many other pitfalls that inexperienced music editors introduce into audio they are creating, including fade-outs at strange places, pops, clicks or irregular jumps in the beat, copying bad audio from YouTube, and more.
Of course you can prevent degraded audio by taking advantage of the services offered by a professional music editor/remixer who has years of experience manipulating audio. One service springs to mind as someone who specializes in understanding the musical needs of competitive dancers. But if you already have edited your music, and you need it fixed up or cleaned, we are happy to help.