Congratulations to four New England Dance Center soloists, a duo, and a trio, using Squirrel Trench Audio remixed songs and choreo by Miss Lesley, for winning 1st overall in your category at Star Systems‘ Worcester Regional yesterday morning… and the duo and trio scored the PLATINUM prize as well.
Congratulations to Brianna Roland for earning Elite Gold in both of her solo performances at the Starbound regional competition in Springfield, Mass. yesterday. These fierce performances earned her both First and Second place in the overalls for her age category. Her jazz routine Lady Jackson features an original Squirrel Trench remix of Janet Jackson’s Nasty, and her lyrical routine features a Squirrel Trench edited song by OneRepublic.
Congratulations to the Rhythm Dance Company dancers on their first competition of the season! Soloists and Duos/Trios who have music edited by Squirrel Trench Audio include:
• Sara G. with First Time Ever I Saw Your Face – Elite Gold and 6th overall teen soloist
• Allie D. with Giving – Gold
• Molly G., Sara G., Katie R. – They Weren’t There – Elite Gold and 4th overall teen duo/trio
That is a fine start. Complete results from their first competition are here.
And that does not even touch on EIGHT of RDC’s group numbers that feature original Squirrel Trench Audio remixes… they came out GREAT and am excited to see them performed later in the Spring!
The following dance routine titled “All You Need Is Love” – was an Elite Senior jazz/character routine performed at the 2012 StarPower Springfield, Massachusetts Regional competition. Choreography by Lesley Lambert. Audio design/remix by Morriss Partee, Squirrel Trench Audio. Story & audio concept inspired by Cirque Du Soleil/Beatles partnership Beatles’ Love
I love doing custom, creative remixes for dance such as this one, and am excited that quite a few dance studios will be using Squirrel Trench Audio remixes for the 2012-2012 dance season. And more are currently in the works! If you are looking for a unique dance remix, then shoot me an email and let me know your concept and routine length.
There are more dance competitions to choose from these days than ever before. If you are a dance studio owner, how do you pick which ones to attend? Which ones are well-run and have the most fair scoring?
Squirrel Trench Audio is jumping into the void by presenting a survey of your satisfaction with dance competitions you’ve attended. This 10-page survey asks you to report your satisfaction level overall, and then breaks it down by asking your satisfaction with several aspects, such as judging fairness, dressing room accommodations, quality of photos and videos, etc.
Take the survey and find out how your results stack up with others’ experiences!
Squirrel Trench Audio’s Dance Competition Survey
The first question must be answered for at least one competition; all the rest are optional.
The competitions represented in the survey are:
West Coast Dance Explosion • Nexstar • OnStageNY • Starquest • Dancers Inc • Hall of Fame • Showstopper • Starpower • KAR • Legacy • Star Systems • Candance • Elite Dance Challenge • Headliners • USTD • Bravo • Groove • Power of Dance • Starbound • Turn It Up • Encore Dance • On Stage America • Step Up 2 Dance • Ticket to Broadway • I Love Dance • Spirit of Dance • Sophisticated Productions • Dance America • Access Broadway • NYCDA • Jump/Nuvo • Creation • Tremaine • Dance Makers Inc. • Dance Educators of America • Countdown • Dynamite • Revolution • Showbiz • Primetime • Masquerade • Beyond the Stars • ADA • Dance Machine Productions • Star Talent Productions • Encore DCS • Applause Talent • International Dance Challenge • Platinum Dance • Legacy Dance Championship • Odyssey • VIP • Talent on Parade (TOP) • Thunderstruck • Spotlight
She stands in the wings, her heart pounding fast
Her first dance on stage to begin, at last
Mom and Dad cannot help her, she stands proud and bold
Six million hours of rehearsal, she knows this dance cold
She strides to center stage into bright shining lights
Choking down nervousness and ignoring stage fright
Starting pose is assumed, she anxiously waits
Straining her ears for that first count of eight
“Excuse me! Pardon me!” a thoughtless parent cries
Making other patrons stand up in front of Mom and Dad’s eyes
Oh no! Sit down! We can’t see our princess!
We’ve waited eight years, can’t you wait two more minutes?
So the next time you stand in the midst of a routine
Know you’ve blocked us from seeing our young dancing queen.
—Morriss M. Partee, June 21, 2012
Squirrel Trench Audio continues to do editing for vocal talent competitions. Our latest client comes from Arizona. The request was for three songs to be edited for a pageant vocal competition, and the rules are that the song can be no more than 2:00 minutes in length. We are proud to be able to produce each of these excellent song choices in the 2:00 format, in both a karaoke version with background vocals, as well as a reference vocal/guide version for our contestant to rehearse with. Here’s what the parent of the pageant competitor had to say:
“Thanks Morriss, these turned out fantastic. We will be recommending you to everyone we know.”
— Jeff V., parent of a competitive
pageant singer, Arizona
June 13, 2012
If you have a competition vocalist, and need your songs edited to competition length, Squirrel Trench Audio is here to make it happen for you. Just send me an email and let me know the song you’ve selected and the competition’s time requirements. I’ll supply you with both a karaoke version for competition, as well as a reference vocal/guide version for rehearsal, uploaded as high quality mp3s to a secure and private online folder for your downloading and playback convenience.
Recitals are wrapping up, or are done, and now on to Nationals for many competitive dance studios. That means now is the perfect time to finalize your song selections for the coming 2012-2013 dance season! When you have selected your song, and you need it edited, cut, or remixed to competition length, then email me, and I’ll make it happen for you. I can also speed your song up, slow it down, or raise its volume without distortion.
Here are a few songs to get your musical creative juices flowing:
Tenderoni – Chromeo
What Is Hip? – Juju Orchestra
Who Do You Think You Are? – Spice Girls
Against All Odds – Academical Village People (a cappella cover of Phil Collins)
Graduation (Friends Forever) – Vitamin C
She’s Got A Way – Dear Abbeys (a cappella cover of Billy Joel)
I Am – Nichole Nordeman
Let’s Go Crazy – Dear Abbeys (a cappella cover of Prince)
Here it is, the end of May, and for most dance studios, that means that Regional competitions are over, and it’s Recital time! As the dance season winds down, and studios get ready for Nationals, Summer Intensives, and Summer camps, now is the perfect time to start getting your music ready for the 2012-2012 season.
If you select your music within the next 1-2 weeks, and send it to me for editing, you can be sure you have the best music ready for your new choreography well ahead of Summer Intensives. Don’t make the mistake that many dance teachers make…. which is to choreograph first, and edit the music afterwards. The problem with doing it in this sequence is that in many cases, editing the song’s intro leads to a better soundtrack for your dance routine, and that is not possible if that part of the song has already been choreographed. If you choreograph the first minute-and-a-half of the music, you are tying your editors hands in terms of flexibility to deliver the best edited/remixed music possible.
Whenever you are ready to get your music edited, send an email!
Now that it’s the middle of May, and many competitive dance studios have wrapped up their Regional competition season, it’s time to get ready for recitals and Nationals.
If your music is not all that it could be, it’s not too late to get it fixed in time for Nationals.
Is the music in your routine too soft? Too loud? Are there hiccups? Clicks? Pops? Are there swear words that you are getting point deductions for? Are there odd-beats? Double words? Is there not enough bass or low-end in the music?
Any of these common music editing problems can be fixed. Just email me a copy of the music as you are currently using it, and I will fix it. Most fixes can be done at the standard music editing rate of $39 per song. I will get the song repaired for you as quickly as possible to maximize the rehearsal time you have before recitals and Nationals.