Tag Archives: competition

Barbie Girl by Aqua – Squeaky Clean

barbie with lipstickI am honored to be on the Advisory Panel of YPAD; Leslie Scott​’s organization to educate the dance community about the dangers to impressionable young minds when they dance in inappropriate routines. To further that goal, I am pleased to offer the song “Barbie Girl” minus the words “undress me anywhere” and minus other suggestive lyrics that occur in this otherwise fun and bouncy song. And I’m offering it for FREE ($2.28 if you don’t already own both versions used to create this cleaned edit). If your studio is already using this song this season, I will match your existing edit with this squeaky clean version for FREE so that no re-choreo’ing is needed. Don’t let your routine take deductions for inappropriate lyrics. Click the graphic below to take a listen and hear for yourself how great this song can still sound when the suggestive lyrics are removed.

In addition, Squirrel Trench offers three other shorter lengths of this squeaky clean edit at $9.99 each.

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Radioactive – a cappella

Imagine Dragons performing at the Made in America Festival. (Colin Kerrigan / Philly.com)

Imagine Dragons performing at the Made in America Festival. (Colin Kerrigan / Philly.com)

The song Radioactive by Imagine Dragons has been incredible popular ever since it was released. Scores of other musicians have covered it, including a collaboration between Pentatonix and violinist Lindsey Stirling which is also available in a 2:50 dance routine length. Below are links to an a cappella edit of the song from the original recording. This version is available in three lengths for your dance routine: 2:56, 2:42, and 2:07. This amazing tour de force performance could be used in a jazz, tap, lyrical, contemporary, modern, or even a hip hop routine.

And here is the Pentatonix/Lindsey Stirling cover of this fantastic song:

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Find the EXACT best tempo for your routine

tempo slomo screen568x568I’m sure you’ve noticed that there are some songs where your dancers are constantly being held back by the tempo of the song. When this happens it’s almost like there is an invisible force subtly sapping the energy out of the routine. Conversely, there are other songs where the dancers are always rushing to keep up with the beat. Adjusting the groove of the song, by even as little as 1% slower OR faster, can make a huge impact on how well your dancers perform with the music. Use the Tempo SlowMo app to dial in EXACTLY what the tempo should be for every routine you choreograph. Spin the jog wheel WHILE your dancers are performing to find the exact tempo that FEELS just right!

Tempo SlowMo is just one app that allows you to change the tempo of songs you are playing. Another one is BarreNotes.

Don’t forget to “print” a new copy of each song that you are using at the new tempo that you’ve dialed in.

Emergency by Icona Pop — Clean lyrics version

After the smashing appearance in the opening number to the recent Dancing With the Stars episode, Emergency by Icona Pop has been flying up the charts. Unfortunately, for dance teachers and choreographers, the only version currently available on iTunes is Explicit.

Squirrel Trench Audio now has a great-sounding version with clean lyrics, suitable for all ages and situations, including dance studios, competitions, recitals, and talent shows. The full-length version is $4.99.

Also available is a 2:15 length version:

We have also created a Spicy Clean remix with a 2:32 length:

For more great songs that have been cleaned of objectionable lyrics, Squirrel Trench Audio has a collection of full length clean songs here:

And in fact, Squirrel Trench Audio’s entire catalog on Legitmix is clean, so any remix or edited song you find there, that is created by Squirrel Trench Audio, is clean. Search the Squirrel Trench catalog on Legitmix here.

Let It Snow! Let It Snow! Let It Snow!

Let It Snow Brian SetzerNormally, when you come across a short song when searching for music for your routines, you breathe a sigh of relief. You think to yourself, “Thank goodness, I don’t have to cut this one!” However, occasionally the song is TOO short. Into the void steps this extended (2:23), rockin’ fun version of Let It Snow! by the Brian Setzer Orchestra, perfect for a group tap routine. This song is simply begging to be used in a tap routine, and is great for any age dancers.

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Honey, I’m Good – clean version

Honey, I’m Good by Andy Grammer has been lighting up the charts over the past couple of months, but it includes some inappropriate language. Squirrel Trench Audio is pleased to provide a clean, full-length version of this hit song.

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Congratulations to Ausia Jones!

Ausia Jones is an incredible 17-year-old dancer, and our congratulations go out to her, and her choreographer Ebony Williams, for her winning routine, Reflection. Reflection won the First Overall Senior Contemporary at the Dallas regional competition of Youth America Grand Prix (YAGP). Ausia was accompanied by music edited by Squirrel Trench Audio, from a piece titled Rostro by the artist Murcof.

Congrats again Ausia! Enjoy her amazing performance:

The economics of a competitive group dance routine

1902765_10152284887868103_160835853_n.jpgIt’s pretty amazing how much time, sweat, rehearsal, effort, and money goes into putting a competitive group dance routine on stage. I think it’s terrific and amazing that so many dance parents are able to give their kids the experience, discipline, camaraderie, and excitement of performing an intricate routine, complete with music, choreography, and costumes. While the kids on stage and the choreographers are the ones who get the medals and awards, really it should be the parents getting the awards for making it happen!

One thing I am always surprised about is how often these amazing routines go on stage, and are performed at competitions, with less-than-perfect music. Often times the music for these routines have jarring clicks, jumps, awkward timings, and mis-matched phrasing. While competitive dance is not judged on the quality of the soundtrack, bad music edits can make counting and choreography more difficult for the dancers since musical phrases can wind up with nonsensical timings like 9.7 beats instead of 8!

It surprises me that so much music with significant issues winds up on the competitive stage when you consider how much time, energy, and money goes into each dance. After all, the music is the foundation of the dance, and great music serves as the inspiration both for the dance teacher/choreographer as well as the dancers themselves. There are some studios, such as Mather Dance Company in the L.A. area, that go so far as to have original music commissioned for them by professional recording artists. While understandably, that kind of budget is out of reach for many studios, working with a skilled music editor is quite reasonable, especially when you think about the finances that go into each competitive routine that is put on stage. After all, we wouldn’t dream of putting a dancer on stage with a wrecked costume, so why would be put them on stage with wrecked music?

So let’s take a quick look at the cost to put one competitive dance on the stage. Oftentimes a unique music remix can be created for $199 or less, so I will wrap up our analysis by looking at that music cost as a percentage of the total cost of putting a routine on stage.

To make this calculation, I’m going to use conservative estimates. For many studios, the costs might be much less, while at others, they might be far more. For this example, let’s use a group routine with 15 dancers. If each of those company dancers is paying an average of $180 per month in studio tuition, and is in a total of 8 competitive routines, then their combined total studio fee, on a per routine basis is: 15 kids x $180 x 10 months / 8 total routines = $3,375 combined cost per dance. No matter if a guest choreographer is brought in, or the studio’s own teacher creates the choreography, that takes considerable effort, so we’ll budget $500 for the choreography. Next, costumes can easily run $125 per, for competitive routines, so that is another $125 x 15 = $1,875. But we haven’t even gotten to entry fees, let alone hotel and food costs that dance parents incur. If a competitive routine is entered into three regionals and one nationals, the entry fees can easily be $40 per regional and $50 per national. That is 15 x ((40 x 3) + 50) = $2,550. We are up to $8,300 for the combined routine cost, and we haven’t figured hotel or travel expenses yet.

Let’s assume that one of the regionals is near enough to the studio to not require a hotel, and let’s use a conservative estimate that the other two regionals will require one hotel night, and that the nationals will require four hotel nights. That’s a total of six hotel nights, so our calculation is 15 families x 6 nights x $110 / 8 routines = $1237. Let’s just round up to $1300 when you figure in food on the road. We’re also going to assume that families don’t have to purchase air fare to get to Nationals.

So our total cost, to put one group competitive routine on stage in all competitions is $3375 studio time + $500 choreography + $1875 costumes + $2550 entry fees + $1300 hotel costs = $9,600. Now imagine spending even as much as $200 for a spectacular custom music remix. That $200 represents 2% of the total cost in putting the routine on stage. Some would say that that is money well worth it. But I might be slightly biased as a music professional. Even if it’s not worthwhile to spend $200 on the music for a competitive group routine, it’s still very much worthwhile to spend $40 on having smooth and seamless music edits handled by a professional.

Congratulations to Joleen’s Starz of the South (again)

Joleen's Starz Pirate Life

A Pirate’s Life performers with their Group of the Day trophy

Winning is getting to be a habit for Joleen’s Starz of the South dance studio. Congratulations go to their small group routine, A Pirate’s Life. A Pirate’s Life features a soundtrack created by Squirrel Trench Audio, and was not only the winner of the 12 & over Small Group category, but also achieved the high score/Group of the Day in the 12 & over category at the 2015 NYLA Dance Competition Biloxi Regional. Way to go, ladies! That is an impressive VICTORY!

In addition, the Starz of the South routine Land of the Free was the winning 11 & under team/production routine for the same NYLA regional competition. Land of the Free also features a Squirrel Trench Audio-created soundtrack.

Joleen's Starz of the South - Land of the Free performers with their top production award

Land of the Free performers with their top production award

We look forward to seeing videos from these terrific routines as well as other Starz of the South routines for which we’ve done the music editing and remixing! Thanks as always to Joleen for choosing Squirrel Trench Audio to create so much of the music used for Starz of the South competition routines! We can’t wait to make more for you next season!

Maleficent has her Vengeance

In December of last year, I received a request to create an original music soundtrack for a Maleficent pointe routine; combining several elements of the Maleficent motion picture soundtrack. The pointe routine was entirely the creation of Brennan Kolbo who choreographed the concept from scratch, and she performed it last weekend at Rainbow Dance Competition in Omaha, Nebraska.

Enjoy this unique interpretation of Maleficent, featuring costuming from JEM Creations, and soundtrack by Squirrel Trench Audio. Congratulations to choreographer and performer, Brennan Kolbo, for creating this unique and wonderful Maleficent interpretation!

This unique Maleficent soundtrack is now available for purchase on Legitmix:

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