Halsey has a haunting and beautiful song out called Castle. Get the official Squirrel Trench 2:51 or 2:21 edited version, for your next jazz or contemporary routine. Editing has been carefully done to provide the best possible foundation for your choreography. Squirrel Trench Audio is your source for clean edits and remixes created specifically for dance routines.
Squirrel Trench Audio is first on the scene with a 2:29 edit of this song, perfect for your next jazz or tap dance routine.
It has been my honor to edit and remix some of his amazing music for dance studios and dance teachers. If you are interested in using a Prince song for a dance routine, here is an edited version of one of his songs that has amazing funk, yet is not very well known. It’s popular with the kids these days to say “Werk it!” but more than 30 years ago, Prince was already singing “Let’s Work!”. Enjoy this edit!
Here is Let’s Go Crazy from the movie Purple Rain. This version has all objectionable lyrics omitted, has been remastered, and edited specifically to be optimized for a jazz or tap dance routine:
And for dance studios interested in a mix that pays homage to “The Purple One”, we are pleased to present this 3 minute mix that includes five of Prince’s more popular hits:
This 4:55 production mix starts with Let’s Go Crazy, and includes Let’s Work:
This 4:45 production mix is similar but starts with Purple Rain:
You can get ALL of these Prince edits and remixes for an amazing bargain price in this album:
Brand new, a beautiful and moving song for a lyrical routine, the heartfelt I Get to Love You by Ruelle. Not only is this song lovely to listen and dance to, the official music video features the talented dancer, Ms. Brianna Roland, who has won numerous competition titles using Squirrel Trench Audio-created remixes. She is the first dancer seen in the video, and is featured throughout it.
Squirrel Trench Audio has three edited lengths of this routine, ready for your next competition or recital lyrical or contemporary routine, at 2:55, 2:43, and 1:57.
Enjoy the official video featuring Brianna Roland:
To learn more about the titles that Ms. Roland has won with Squirrel Trench Audio-created soundtracks, here is info about her Starbound senior title (2013), Starquest title (2012), and OnStage New York title (2013).
Due to popular demand, Squirrel Trench Audio is pleased to present a squeaky clean version of the new hit Stand by You by Rachel Platten. All instances of the word ‘hell’ have been replaced with the word ‘fire’. This cleaned song is available in a full-length (3:33) version as well as a 2:24 shortened version. Enjoy!
I am honored to be on the Advisory Panel of YPAD; Leslie Scott’s organization to educate the dance community about the dangers to impressionable young minds when they dance in inappropriate routines. To further that goal, I am pleased to offer the song “Barbie Girl” minus the words “undress me anywhere” and minus other suggestive lyrics that occur in this otherwise fun and bouncy song. And I’m offering it for FREE ($2.28 if you don’t already own both versions used to create this cleaned edit). If your studio is already using this song this season, I will match your existing edit with this squeaky clean version for FREE so that no re-choreo’ing is needed. Don’t let your routine take deductions for inappropriate lyrics. Click the graphic below to take a listen and hear for yourself how great this song can still sound when the suggestive lyrics are removed.
In addition, Squirrel Trench offers three other shorter lengths of this squeaky clean edit at $9.99 each.
The song Radioactive by Imagine Dragons has been incredible popular ever since it was released. Scores of other musicians have covered it, including a collaboration between Pentatonix and violinist Lindsey Stirling which is also available in a 2:50 dance routine length. Below are links to an a cappella edit of the song from the original recording. This version is available in three lengths for your dance routine: 2:56, 2:42, and 2:07. This amazing tour de force performance could be used in a jazz, tap, lyrical, contemporary, modern, or even a hip hop routine.
And here is the Pentatonix/Lindsey Stirling cover of this fantastic song:
For all of you fabulous choreographers who edit your own music: When saving your music as an mp3, NEVER save it at anything less than a 256k bit rate. Why is this important? Because when you save it at 128k or lower, you are telling your computer to throw away some of the detail in your music. You may not hear the difference on your laptop or iPad’s speakers, but when played on a good sound system (like in your studio, or at comp or recital), it won’t be as clear. And it just gets worse if you open up that same low-res file and re-edit it again.
Also worth noting: once you save an edit as a low-res mp3, re-saving it at a higher rate later does not fix it. Once you’ve saved it as a low-res file, then it will always be low res.
I know all the “export” or “save as…” options that are presented in most audio processing programs are greek if you don’t know the details or reasons behind the choices. Way too many of the music edit files I get for repair are saved as 128k mp3 files, and it makes me sad to know that dancers are not dancing with the cleanest version of their music possible, for no good reason other than the choreographer was not aware that saving at a 128k rate (or lower) degrades the audio noticeably.
Also, if you are not sure what the quality of an mp3 is, there’s a fairly easy way to tell, by checking the file’s size in Mb. A 2.5 to 3-minute edit saved as an mp3 or m4a should be roughly 5 to 6 Mb in size. If it’s only 2 to 3 Mb in size, then you know it’s low-res, and too much audio quality has been thrown away.
I can easily understand why this is such a problem. While you are working on the file, it sounds fine, because it hasn’t been saved to a low-res format yet. And when you save it as a low-res mp3, you can’t immediately HEAR that it doesn’t sound as good as what you have been working on. In other words, the quality gets reduced when you save it, but you don’t even know that that has happened. So I am very happy to help spread the word. Now you know!
Bottom line: When doing a “Save as” or “Export Audio” to an mp3 file, always choose the 256k rate or higher!
Is it possible to fuse funk with Irish Dance? The answer is yes, as proved beautifully by Tara Shaye Lynch. Tara’s mother asked me to create a 90-second custom clean edit of Uptown Funk last year, and congratulations to Tara for winning Ms. Cheshire Outstanding Teen of 2015 with it! Enjoy this fun 90-second routine:
Squirrel Trench Audio’s clean versions of Uptown Funk remain one of our best selling tracks on Legitmix, and prices have been reduced to $4.99 for any version that you may need.
It is always with great joy that I get to see a video of a dance routine for which I’ve done the music editing. The latest comes from Roberta Ryder, whose daughter Eden performed contemporary choreography by Ausia Jones, set to the song Death of Murad by Nathaniel Mechaly from the Taken 2 motion picture soundtrack. The piece is titled Encumbered. Congratulations to Eden and Ausia for creating a remarkable routine, and also scoring 2nd place in Junior Contemporary at YGAP!