Tag Archives: hiccup

Three common problems and fixes when editing or mixing music

clean_music_by_fatihakgungorI love helping dance teachers and choreographers have the most outstanding, powerful, and impactful music possible. It’s an honor that so many dance teachers and studio owners entrust me to fix and clean the mixes they create. When DTs send me mixes, I hear three problems most often. They are relatively easily avoided. Here they are with their easy fixes:

  1. Problem — Timing hiccups
  2. Problem — Volume drops
  3. Problem — Poor audio quality

 

  1. Fix for Timing Hiccups — Determine the tempo of every song and align your work to the tempo grid. That means all cutting, moving, etc, is done precisely rather than via guesswork
  2. Fix for Volume Drops — One reason I receive many song edits or mixes with a reduced volume is that when the audio file is created during the Export process, the “Normalize” option is turned on by default. When there are internal peaks in a song that is bounced down with the Normalize option turned on, this results in the ENTIRE mix being reduced in volume. Do not leave the Normalize option turned on! Instead, make sure Normalize is turned off. To avoid digital distortion in these cases, put a peak limiter on your output bus. If you don’t know what that means, don’t worry, because in most cases, a short digital over will not be very noticeable on most sound systems.
  3. Fix for Poor Audio Quality — Use only original sources. Never import an mp3 into your audio program since an mp3 is a reduction in quality. Always save your mixes at at least 256k bit rate mp3, because to go less than that also results in an audible drop off in quality.

Hope these tips and fixes help you as you put together your edits and mixes! Please feel free to ask me any question about any of this since I truly love to help you have the best music you can possibly have for your amazing choreo!

Clean your dance, clean your music

clean_music_by_fatihakgungorCompetition season for dancers is here in earnest. This past weekend featured two studios utilizing Squirrel Trench music for their routines at the same competition (27 routines!). We’re thrilled to report a slew of 1st Places, Platinum, High Golds and Overalls were garned by these dedicated and hardworking dancers and choreographers.

Now that we’re in the competition phase of the year, don’t forget to clean your music at the same time you’re cleaning your routines and costumes. If there is a hiccup, jump, skip, mis-matched beat in your music, or section of music that is too soft, or not punchy enough, too fast or too slow, it’s not too late to get it fixed in time for the next regionals competition.

Already, Squirrel Trench Audio has helped dance teachers and studio owners get higher scores for their routines in a number of ways. For one tap number, the dancers were rushing too fast for the music. Solution? Speed up the music. For another studio, the routine was receiving deductions for inappropriate language. Solution? Inappropriate language obscured through clever remixing by Squirrel Trench. For another studio, the music they were using was too soft compared to all the other music being used. Solution? Brought up to current loudness levels by Squirrel Trench through a process known as mastering.

We know that many dance teachers and studios cut their own music. One of the potential pitfalls to self-cut music is that in the course of rehearsing the number five hundred times, any mistakes or hiccups eventually sound normal, just because you become used to hearing it that way. Of course, the judges will be hearing it for the first time, and if there is a hiccup, skip, jump or any other strangeness in the audio, it detracts from the polish you’ve worked so hard to achieve with your students.

So find a friend who can listen to your competition music with fresh ears. If they hear something that doesn’t sound right, send it my way to get it fixed in time for your next Regionals, so that you’ve got it the best it can be in time for Nationals. If you have something that needs fixing, use this Online Request Form, or email me at: morriss@squirreltrenchaudio.com

Related articles: Time to Fix Things UpPump Up The VolumeFix Your Music in Time for Nationals

Looking for music inspiration?

For you dance teachers and studio owners, it’s an exciting time of year. The kids are back in school, and the 2012-13 dance season is about to get underway in earnest.

Are you tired of trying to cut music, spending hours upon hours to try to get it right, only to wind up with clicks, jumps, skips, off-beats, and hiccups? We are here to help. For only $39 (less with quantity), we will deliver any song to you at the perfect length and structure for your dance routines. Not only are we masters of music editing and remixing, we also understand what is needed to make music work for dance. If this sounds like the relief you need, then send us an email with the song(s) you need, and the length you need them to be.

And if you have a group dance and are looking for inspiration in terms of fresh music, email us to learn about our custom remixes. We’ve done quite a variety over the years, and they are sure inspire your choreo to reach new heights.

Fix your music in time for Nationals

Now that it’s the middle of May, and many competitive dance studios have wrapped up their Regional competition season, it’s time to get ready for recitals and Nationals.

If your music is not all that it could be, it’s not too late to get it fixed in time for Nationals.

Is the music in your routine too soft? Too loud? Are there hiccups? Clicks? Pops? Are there swear words that you are getting point deductions for? Are there odd-beats? Double words? Is there not enough bass or low-end in the music?

Any of these common music editing problems can be fixed. Just email me a copy of the music as you are currently using it, and I will fix it. Most fixes can be done at the standard music editing rate of $39 per song. I will get the song repaired for you as quickly as possible to maximize the rehearsal time you have before recitals and Nationals.

What exactly is good music editing for dance routines?

With the proliferation of free and cheap audio editing software, many dance studios have taken it upon themselves to handle the editing of their dance music. While it is certainly better to edit a song yourself than to not edit it at all, a top-notch dance studio may want to consider having their songs professionally edited.

Why would a dance studio have their music professionally edited?

Teachers and students at a quality dance studio spend hours upon hours perfecting their dances for recital, competition and other performances. Students practice all of their routines in class and at home. Every nuance, every detail of motion is perfected and cleaned up. Every detail, from how the dancers enter to how they exit the stage is choreographed for optimum audience enjoyment and professional presentation. The same is true for costumes and makeup. The details of the appearance are examined and refined.

So if a dance studio is spending countless hours and dollars to ensure every aspect of the dancers’ movement and appearance is the best it can possibly be, why wouldn’t they also want to ensure that the music, the foundation for every dance performance, is also as great as it can be? Why use music for performance that has glitches, awkward fade-outs, mismatched beats, frozen statue intros, abrupt jumps and other scars when seamless music can be created by a skilled music editor?

What does professional music editing for dance entail?

Some people think that dance editing is simply employed to remove swear words or other inappropriate lyrics from a song. But editing music well is much more than than, and certainly much more than fading a song out at the desired length of the routine. In fact, 90% of the time fading the music out at the desired length for the routine is at an awkward point in the song, leading to the most common music editing mistake heard at dance competitions. In this blog post I explain exactly how to avoid awkward fade-outs. (Here are the other Top 5 mistakes made in dance music editing.)

A skilled music editor, who understands what dancers need in a competition or recital-length routine, does a lot more than simply a fade a song out or edit out swear words. A skilled song editor analyzes a song for its structure, and then determines how that structure can be changed, sliced, or rearranged in order produce a new song that makes sense from beginning to end. Usually this involves shortening an intro, removing a verse and/or a chorus, shortening instrumental solos, and so on. This process is something that requires a great deal of skill and experience, in both music and audio editing, to execute flawlessly.

Skilled audio mix engineers not only rearrange the structure of an existing piece of music, they can perform quite a number of other audio engineering techniques such as changing the equalization of the music to better fit the dancer, speed up or slow down all or parts of a song without changing the pitch, add reverb to edit points or endings where it makes sense, and even increase the volume (slightly) of older recordings without causing clipping distortion.

The sad but unfortunate fact is that many dance teachers don’t even realize that they utilizing music with poor edits in their routines. Dance teachers are trained in the visual arts, and are experts at choreography and movement. Few are also exceptionally well-versed in music structure or audio editing. Therefore, dance studios would enhance the quality of their performance by utilizing the services of an experienced music editor to handle the process of editing songs to the right length for dance numbers.

As I mentioned before, it’s not too late to have a song with a music hiccup or glitch fixed in time for Nationals. In fact, I’ve just finished repairing a song like that right now… the dance routine is SPECTACULAR, winning Platinum and 2nd overall, and the music is by a well-known artist who hit the scene in the 80s. The song, as edited by the student, was wonderful all the way up until the very end when there was a fade out, followed by an abrupt jump into the last few notes. But have no fear, Squirrel Trench Audio now has the ending smooth and flawless! And since the routine has already been choreographed, I kept all aspects of the song identical to the original edit, except for the newly perfected ending. If you are cleaning up your dance moves after regionals, going into nationals, it makes sense to clean up your music too!

Basics of music editing

We understand that not every dance routine needs to have the song professionally edited. Personal computers have put audio editing tools within reach of everyone. But even with great tools, unless you really understand what you’re doing, it’s easy to botch the music up when cutting down the music to dance routine length. I can’t begin to count the number of times I’ve been at competition and heard a squirrel trench (a scar on the music)- taking not only the audience out of the moment, but also the judges.

So here are some things to keep in mind when editing music so that you don’t leave a big ole flub on an otherwise great song.

First: Really listen to, and understand the song all the way through. Understand the parts that make up the song: intro, verse, chorus, verse, chorus, bridge, chorus, ending is the most common song structure. There are certain parts of a song where the performance is almost exactly the same every time it occurs: this is most often true of the chorus of the song, so one of the easiest edits to make is to remove the second verse out of a song. Line up the 1st and 2nd chorus so they are overlapping exactly, and make your edit. This way, you leave the bridge intact, which gives the song (and therefore the dance) more interest over the course of the routine.

Also, watch out for exactly how you make the edit. Many folks try to make a long smooth edit… where one part of the song fades out for a few seconds while the other part of the song fades up for a few seconds. This is usually a mistake and sounds funny (unless there isn’t much going on instrumentally), and can even cause distortion. Better to make a very clean and crisp edit, where one part of the song ends very nearly abruptly while the other part of the song begins nearly abruptly. I usually employ an ultra-ultra-quick crossfade at the edit point, but it happens so quickly (usually a few milliseconds), that you can’t tell that it’s there. The important thing is to line up the beats (and the measures) at the edit point. This brings up another part of successful music editing- make sure you have full measures lined up. Dancers count in 8s… which is usually two measures of 4/4 time. I’ve heard plenty of songs where the edit is in a funny spot and the measures don’t line up.. which produces an “extra” two or three beats, which always sounds unnatural.

Well, that’s all the tips for now. I’ve got more that I’ve developed as a professional musician and music editor, but I’ll post about other techniques later. Here is how to avoid awkward fade-outs, and here are the other Top 5 music editing mistakes heard in competition.

Now that we’re about to enter competition season, take a listen to the songs you’re using for your dancers. If you notice that any of the songs you’ve edited have a squirrel trench or two in them or a funny beginning or ending, send it my way, and I’ll see if I can fix it up for you, retaining the original timing (or as close as possible) so that you don’t have to re-choreograph! My email is: morriss@squirreltrenchaudio.com. Or check out the Services link in the header of this site.

Best wishes for a successful competition season!
~Morriss Partee
Squirrel Trench Audio