Tag Archives: regionals

Clean your dance, clean your music

clean_music_by_fatihakgungorCompetition season for dancers is here in earnest. This past weekend featured two studios utilizing Squirrel Trench music for their routines at the same competition (27 routines!). We’re thrilled to report a slew of 1st Places, Platinum, High Golds and Overalls were garned by these dedicated and hardworking dancers and choreographers.

Now that we’re in the competition phase of the year, don’t forget to clean your music at the same time you’re cleaning your routines and costumes. If there is a hiccup, jump, skip, mis-matched beat in your music, or section of music that is too soft, or not punchy enough, too fast or too slow, it’s not too late to get it fixed in time for the next regionals competition.

Already, Squirrel Trench Audio has helped dance teachers and studio owners get higher scores for their routines in a number of ways. For one tap number, the dancers were rushing too fast for the music. Solution? Speed up the music. For another studio, the routine was receiving deductions for inappropriate language. Solution? Inappropriate language obscured through clever remixing by Squirrel Trench. For another studio, the music they were using was too soft compared to all the other music being used. Solution? Brought up to current loudness levels by Squirrel Trench through a process known as mastering.

We know that many dance teachers and studios cut their own music. One of the potential pitfalls to self-cut music is that in the course of rehearsing the number five hundred times, any mistakes or hiccups eventually sound normal, just because you become used to hearing it that way. Of course, the judges will be hearing it for the first time, and if there is a hiccup, skip, jump or any other strangeness in the audio, it detracts from the polish you’ve worked so hard to achieve with your students.

So find a friend who can listen to your competition music with fresh ears. If they hear something that doesn’t sound right, send it my way to get it fixed in time for your next Regionals, so that you’ve got it the best it can be in time for Nationals. If you have something that needs fixing, use this Online Request Form, or email me at: morriss@squirreltrenchaudio.com

Related articles: Time to Fix Things UpPump Up The VolumeFix Your Music in Time for Nationals

Congratulations to Wikkd Lil Grrrls!

1902765_10152284887868103_160835853_nCongratulations go to choreographer Miss Lesley and the NEDC dancers of Wikkd Lil Grrrls!

Today they performed spectacularly at Hall of Fame’s Worcester regionals dance competition at the DCU Center. Wikkd Lil Grrrls features music edited by Squirrel Trench Audio. This morning the routine won:

  • 1st Place Platinum in their category (Junior Tap Line)
  • 1st Place Overall in Junior Line routines
  • 1st Place Overall Junior tap routine

Wow! It doesn’t get much better than that! Congratulations dancers!

Live Stream • Full Schedule • Routines using Squirrel Trench music

Ready for some musical inspiration?

DANCE-silhouetteDance teachers, and studio owners, this post is for you.

Right at the peak of Regionals competition season, heading into recitals and possibly Nationals, there is much that needs to be worked on. Some of you are also getting ready for a new season of routines, which means new choreography, which means new music.

When you are ready to start working on the next season, and need musical inspiration, then look no further than a Squirrel Trench Audio custom remix. Every piece of music is worked on individually and uniquely for YOU and your dancer’s needs. There is no cookie-cutter process, and you will not hear your music used by another dance studio. For dancer teachers who love great music, we think the difference between a piece of music which is custom crafted just for you and your dancers is a difference that can be FELT throughout your process of working with your students. You KNOW that this music is YOURS and YOURS ONLY which is something you can feel great about.

We’ve created custom remixes for a number of dance studios throughout the country, including Beatles remixes, Michael Jackson remixes, Janet Jackson remixes, hip hop remixes, movie/Broadway soundtrack medleys, and many others. We’ve also done scary horror-movie themed remixes, and Dancing Through the Ages medleys. We can do recital opening/grand finale numbers such as this fun Wizard of Oz production.

If a Squirrel Trench custom remix is just the ticket to get your choreographic creative juices flowing (especially for your teen, junior and senior groups), then the process is easy. Just email me (morriss@squirreltrenchaudio.com) or give me a call at 413-535-0621 to discuss the ideas you want shaped into the music for your routine. Pricing varies depending on the complexity of the project, but is generally in the range of $89 to $129.

Call or email me when you are ready to get started!

Fix your music in time for Nationals

Now that it’s the middle of May, and many competitive dance studios have wrapped up their Regional competition season, it’s time to get ready for recitals and Nationals.

If your music is not all that it could be, it’s not too late to get it fixed in time for Nationals.

Is the music in your routine too soft? Too loud? Are there hiccups? Clicks? Pops? Are there swear words that you are getting point deductions for? Are there odd-beats? Double words? Is there not enough bass or low-end in the music?

Any of these common music editing problems can be fixed. Just email me a copy of the music as you are currently using it, and I will fix it. Most fixes can be done at the standard music editing rate of $39 per song. I will get the song repaired for you as quickly as possible to maximize the rehearsal time you have before recitals and Nationals.

Ready to step up your dance?

As has been pointed out previously, music is the foundation of dance. You can easily verify this for yourself by realizing what happens when the emcee plays the wrong music at a competition….. the dancer freezes because it’s not the right music.

If you are a high-level dance studio owner or teacher, and you regularly bring your students to regional and/or national competitions, and you want to step up your routines, where should you start? Answer: The music. If you are working with exciting music, music that gets your kids pumped up, they will naturally perform better. If you, as choreographer are excited about the music, you will bring your enthusiasm to the choreography you create. On the flip side, if you are using stale, flat, worn-out music, it’s hard to generate enthusiasm, either in yourself or your students.

What’s the answer? Try an original Squirrel Trench Mix. I’ve created many original mixes based on modern interpretations of classic songs, including train medleys, a Beatles remix, a slumber party theme, a Mary Poppins remix, a Pixie Hollow remix, and more. I also have a slate of original remixes and medleys scheduled to create for a studio in Canada that I am eager to begin work on shortly.

If you have a theme idea and you want the music to provide the foundation to help you create original, exciting choreography to break through the multitude of routines that judges will view, then contact me to find out about our editing and remixing services. I’m excited about the remixes I’ve already done for the upcoming season, and I can’t wait to create yours!

Break a leg in the upcoming 2011-2012 dance season!

Keys to a winning dance competition routine

As pointed out in this article on Suite 101, there are three keys to creating a winning dance routine for competitions.

1.) Start with fantastic and appropriate music. Dance is based on the foundation of music. If you don’t build your routine and choreography on wonderful music, then you are missing out on a major source of emotional impact on the audience and judges. I can help you select winning music for your next competition dance routine. I’ve attended numerous Regional and National dance competitions, and have decades of experience in music. When choosing songs, there are some songs (or versions of songs) that will leave the judges flat. I can help you pick something memorable and appropriate for your dancer. Just let me know the dancer’s personality, age and what song they’ve used previously, and I will give you a couple of suggestions for their next song. Whatever song you select, I can also edit it to the needs of winning competition routines, i.e. the correct duration, and any other minor adjustments it might need, such as a slight tempo change, or boosting the volume without clipping distortion.

2.) Choreography. I am no expert in this field, that is for YOU the dance teacher to make great. I agree with the article; great choreography nearly always tells a story. It doesn’t matter if the audience doesn’t fully understand the story conveyed, if there IS  a story, then the dancer has a message to transmit to the audience, and that’s the important thing.

3.) Costume. Dance is a very visual medium. While the music provides the auditory part of the routine, the costume provides the foundation for the visual part of the routine. The above referenced article goes into greater depth on costume choices.

4.) What this article leaves out is the most important part of a winning dance routine: PRACTICE. Practice equals love. If your student loves to dance, it will manifest itself in the practice habits of the dancer. One of my favorite sayings is the difference between amateurs and professionals is that amateurs practice until they get it right, PROFESSIONALS PRACTICE UNTIL THEY CAN’T GET IT WRONG.

So now we know that music is the foundation of the dance routine. Costume is the foundation of the visual part of the dance routine. Just as you wouldn’t put your dancer on stage with a ripped or torn costume, why would you put your dancer on stage with music that contains scars, hiccups, half-beats, partial measures, jumps, cuts, awkward fade outs, or unnatural silences? I’ve heard all of these music editing mistakes at competitions. Are they enough to reduce the scores from the judges? I don’t know, but why take a chance? Since you put countless hours of rehearsal into your choreography and practice every week, shouldn’t your music reflect the same meticulous level of detail and precision?

When you are ready for your music to step up to your dance, Squirrel Trench Audio is here to deliver.

What have YOU found to be the key to creating a winning dance competition routine?

What exactly is good music editing for dance routines?

With the proliferation of free and cheap audio editing software, many dance studios have taken it upon themselves to handle the editing of their dance music. While it is certainly better to edit a song yourself than to not edit it at all, a top-notch dance studio may want to consider having their songs professionally edited.

Why would a dance studio have their music professionally edited?

Teachers and students at a quality dance studio spend hours upon hours perfecting their dances for recital, competition and other performances. Students practice all of their routines in class and at home. Every nuance, every detail of motion is perfected and cleaned up. Every detail, from how the dancers enter to how they exit the stage is choreographed for optimum audience enjoyment and professional presentation. The same is true for costumes and makeup. The details of the appearance are examined and refined.

So if a dance studio is spending countless hours and dollars to ensure every aspect of the dancers’ movement and appearance is the best it can possibly be, why wouldn’t they also want to ensure that the music, the foundation for every dance performance, is also as great as it can be? Why use music for performance that has glitches, awkward fade-outs, mismatched beats, frozen statue intros, abrupt jumps and other scars when seamless music can be created by a skilled music editor?

What does professional music editing for dance entail?

Some people think that dance editing is simply employed to remove swear words or other inappropriate lyrics from a song. But editing music well is much more than than, and certainly much more than fading a song out at the desired length of the routine. In fact, 90% of the time fading the music out at the desired length for the routine is at an awkward point in the song, leading to the most common music editing mistake heard at dance competitions. In this blog post I explain exactly how to avoid awkward fade-outs. (Here are the other Top 5 mistakes made in dance music editing.)

A skilled music editor, who understands what dancers need in a competition or recital-length routine, does a lot more than simply a fade a song out or edit out swear words. A skilled song editor analyzes a song for its structure, and then determines how that structure can be changed, sliced, or rearranged in order produce a new song that makes sense from beginning to end. Usually this involves shortening an intro, removing a verse and/or a chorus, shortening instrumental solos, and so on. This process is something that requires a great deal of skill and experience, in both music and audio editing, to execute flawlessly.

Skilled audio mix engineers not only rearrange the structure of an existing piece of music, they can perform quite a number of other audio engineering techniques such as changing the equalization of the music to better fit the dancer, speed up or slow down all or parts of a song without changing the pitch, add reverb to edit points or endings where it makes sense, and even increase the volume (slightly) of older recordings without causing clipping distortion.

The sad but unfortunate fact is that many dance teachers don’t even realize that they utilizing music with poor edits in their routines. Dance teachers are trained in the visual arts, and are experts at choreography and movement. Few are also exceptionally well-versed in music structure or audio editing. Therefore, dance studios would enhance the quality of their performance by utilizing the services of an experienced music editor to handle the process of editing songs to the right length for dance numbers.

As I mentioned before, it’s not too late to have a song with a music hiccup or glitch fixed in time for Nationals. In fact, I’ve just finished repairing a song like that right now… the dance routine is SPECTACULAR, winning Platinum and 2nd overall, and the music is by a well-known artist who hit the scene in the 80s. The song, as edited by the student, was wonderful all the way up until the very end when there was a fade out, followed by an abrupt jump into the last few notes. But have no fear, Squirrel Trench Audio now has the ending smooth and flawless! And since the routine has already been choreographed, I kept all aspects of the song identical to the original edit, except for the newly perfected ending. If you are cleaning up your dance moves after regionals, going into nationals, it makes sense to clean up your music too!

Top 5 song editing mistakes

I just got back from a spectacular regional dance competition, where my original remix Pixie Hollow premiered. The dancers were truly spectacular and brought a tear to my eye. I can’t wait to see them perform it again in two weeks.

It was truly a pleasure to watch so many fantastic dances, and hear the wonderful music that the dance teachers had chosen for their students. I could see how much hard work had gone into each number to bring it to fruition on stage.

Being a musician and not a dancer, I paid special attention to the music, and how the dance and music worked together in the performances. I was very happy to hear no major squirrel trenches in any of the songs I heard. However, I couldn’t also help but notice that there were minor glitches in the music editing of many songs. So in my quest to help eliminate bad music edits from all dance competitions, I present to you the top 5 music editing mistakes I hear in songs played at competition. In subsequent posts, I will explain in detail how you can avoid each one. While most judges won’t deduct points for these mistakes, any one of them takes away from the musicality of the dance that you are striving for. Any of these mistakes takes attention away from the dancer and makes the performance less enjoyable to watch.

1. Awkward fade out

2. Mis-matched phrase edit

3. Abrupt cut

4. Drop-out edit

5. Frozen statue intro

Let’s discuss the first two in a bit more detail. Again, future blog posts will explain more about each one of these pitfalls, and more importantly, exactly how to avoid them in your own music editing.

The awkward fade out (and its cousin, the abrupt ending) is by far the most common music editing mistake I hear in dance competitions. It’s easy to understand why it happens. You find a great song, and virtually all popular songs are too long for competition. So what is the easiest thing for a time-pressed dance teacher to do? Fade it out at the proper length for competition. But while it’s easy to do this, it’s very much worth the time to avoid this practice. With the awkward fade out, your dancer is usually left either holding their ending pose or begins to exit the stage, while the auditorium falls into silence. The audience doesn’t start applauding and cheering because they aren’t sure that the performance has actually ended. There’s nothing worse for your performers’ self-confidence than the nervous silence, followed by the too-late applause created by the awkward fade out. Often these strange fade-outs occur in middle of a verse or some other equally unexpected point in the song. As I’ve said in an earlier blog post, if your song has a clear ending, use it. [Update: Here’s exactly how to do it.]

The mis-matched phrase edit is another common song editing mistake, and one which can be quite problematic from a dance point of view. Most dancers love a strong groove, a catchy or funky beat, that propels them to dance. And most dance music (though certainly not all) is in 4/4 time. Dancers learn to count in 8s, which corresponds very nicely to most musical phrasing, which usually occurs in groups of 4-beat measures. While musicians learn to count in 4s, these groups of measures often occur in even multiples, such as 8 and 16, and these patterns usually can also be lumped together in groups of 24 and even 32. How strange then, when the editing of music occurs in mid-measure, and sometimes even in mid-beat. Here is what this pattern looks like in written form, from a dancer’s point of view:

8, 8, 8, 8, 8, 8, 8, 8, 8, 11.3, 8, 8, 8, 8, 8, 8, 8, 8, 8.

No wonder your dancers are having a hard time with this section of their song- it not only has an odd number of beats, it also has a partial beat! OUCH! It’s nearly impossible to get your dancers’ moves clean when the music itself is not clean in this way. Inevitably, this type of editing flub kills the groove and pulse of the music.

Well, that’s all for this blog post. In future posts, I will give you some very specific guidance on how to avoid these most-common song editing mistakes in your competition routines. In the meantime, if you have a song that has one of these mistakes in it, and you want it fixed in time for your next regional or nation competition, send me an email.