Halsey has a haunting and beautiful song out called Castle. Get the official Squirrel Trench 2:51 or 2:21 edited version, for your next jazz or contemporary routine. Editing has been carefully done to provide the best possible foundation for your choreography. Squirrel Trench Audio is your source for clean edits and remixes created specifically for dance routines.
Squirrel Trench Audio is first on the scene with a 2:29 edit of this song, perfect for your next jazz or tap dance routine.
- You can drag-and-drop the song file from where it’s located in your iTunes folder onto the Audacity program icon.
- You can choose File -> Import and then select the song you want to edit
- You can drag-and-drop the song file icon from where it’s located in your iTunes folder straight onto the open blank Audacity edit window.
If you haven’t done so before, you will also need to download and enable the FFmpeg import/export library in order to convert the m4a file. There is no cost to do so, and it can be done quickly and easily by going to Preferences -> Libraries and clicking “Download” under the FFmpeg library listing.
If you want to export your edit as an MP3 file, you will have to download and enable the MP3 library, which can be done from the same place as mentioned in the previous paragraph, namely Preferences -> Libraries, and then click Download under the MP3 library option.
For more information, check out this Audacity Importing help page.
If you want to save the time and hassle of editing songs yourself, be sure to check out the Squirrel Trench Audio library of more than 300 edited songs and remixes (almost all of which have been cleaned of objectionable lyrics), ready for purchase and instant download on Legitmix. Below is a small sampling of what is available. Click through to the Squirrel Trench catalog on Legitmix to see more selections:
Brand new, a beautiful and moving song for a lyrical routine, the heartfelt I Get to Love You by Ruelle. Not only is this song lovely to listen and dance to, the official music video features the talented dancer, Ms. Brianna Roland, who has won numerous competition titles using Squirrel Trench Audio-created remixes. She is the first dancer seen in the video, and is featured throughout it.
Squirrel Trench Audio has three edited lengths of this routine, ready for your next competition or recital lyrical or contemporary routine, at 2:55, 2:43, and 1:57.
Enjoy the official video featuring Brianna Roland:
To learn more about the titles that Ms. Roland has won with Squirrel Trench Audio-created soundtracks, here is info about her Starbound senior title (2013), Starquest title (2012), and OnStage New York title (2013).
I am honored to be on the Advisory Panel of YPAD; Leslie Scott’s organization to educate the dance community about the dangers to impressionable young minds when they dance in inappropriate routines. To further that goal, I am pleased to offer the song “Barbie Girl” minus the words “undress me anywhere” and minus other suggestive lyrics that occur in this otherwise fun and bouncy song. And I’m offering it for FREE ($2.28 if you don’t already own both versions used to create this cleaned edit). If your studio is already using this song this season, I will match your existing edit with this squeaky clean version for FREE so that no re-choreo’ing is needed. Don’t let your routine take deductions for inappropriate lyrics. Click the graphic below to take a listen and hear for yourself how great this song can still sound when the suggestive lyrics are removed.
In addition, Squirrel Trench offers three other shorter lengths of this squeaky clean edit at $9.99 each.
A few years ago, I created a custom, 6-minute Wizard of Oz mix for Kimberly Houli’s Dance for Joy studio in New Jersey. This mix includes munchkins, movie dialogue, sound effects, and more. She used it as a grand opening piece for her recital, and you can see a video of it below.
Because it’s been several years since this piece was originally created, Kimberly has agreed to let this soundtrack become available for purchase by other dance studios. Take a listen and see if this is right for your next Wizard of Oz recital or competition production!
Listen to and purchase this remix here on Legitmix:
The song Radioactive by Imagine Dragons has been incredible popular ever since it was released. Scores of other musicians have covered it, including a collaboration between Pentatonix and violinist Lindsey Stirling which is also available in a 2:50 dance routine length. Below are links to an a cappella edit of the song from the original recording. This version is available in three lengths for your dance routine: 2:56, 2:42, and 2:07. This amazing tour de force performance could be used in a jazz, tap, lyrical, contemporary, modern, or even a hip hop routine.
And here is the Pentatonix/Lindsey Stirling cover of this fantastic song:
I’m sure you’ve noticed that there are some songs where your dancers are constantly being held back by the tempo of the song. When this happens it’s almost like there is an invisible force subtly sapping the energy out of the routine. Conversely, there are other songs where the dancers are always rushing to keep up with the beat. Adjusting the groove of the song, by even as little as 1% slower OR faster, can make a huge impact on how well your dancers perform with the music. Use the Tempo SlowMo app to dial in EXACTLY what the tempo should be for every routine you choreograph. Spin the jog wheel WHILE your dancers are performing to find the exact tempo that FEELS just right!
Tempo SlowMo is just one app that allows you to change the tempo of songs you are playing. Another one is BarreNotes.
Don’t forget to “print” a new copy of each song that you are using at the new tempo that you’ve dialed in.
More and more folks are interested in recording voice-overs of various kinds for their dance routines. Since Squirrel Trench Audio works with dance teachers and choreographers all over the world, we usually can’t come to you in order to do the recording. This means you are on your own to record your own dancers’ voices, but it’s not too hard to do that, and send us the resulting audio files.
The good news: if you have an iPhone, it’s easy to record the voice-overs that you want. Just use the (free) Voice Memo app that is built-in. Here are the tips in a nutshell, with further explanation below:
- Record in a living room or bedroom; never in a dance studio
- Minimize any environmental noise or sounds
- Aim the bottom of the iPhone at your dancer(s), about 1.5 feet away
- Record three takes of the words you want
- Speak clearly, and with passion!
Record in a living room or bedroom; never in a dance studio
One of the most important aspects to getting a good recording is the room in which you record, because sound bounces off of walls, floor and ceiling. This is called reverberation, which is a form of echo. Pretty much the worst space to do a recording is inside a dance studio rehearsal room. Ideally, you want to be in a living room or bedroom when recording a voice-over. The more drapes or other fabric there is in the room, the better. Carpeting is also very helpful. Using the Voice Memo app on your iPhone, situate yourself with the iPhone, and the person(s) that you are recording, in the middle of the room, away from all the walls.
Minimize any external sound or noise
It should go without saying that you don’t want any background noise to be happening while you record your voice. Make sure no one else is talking nearby, and make sure that all sources of hum or buzz are eliminated, or as low as possible. Nearby fans, or anything else with a motor, should be turned off for the duration of the recording. Make sure the windows of the room are shut to minimize any sound coming in from the outside.
The iPhone’s mic is in the bottom of the phone; aim it at your dancer(s), about 1.5 feet away
Hold the iPhone approximately 1 to 2 feet from the person(s) speaking (1.5 feet is probably ideal). Aim the mic (which is in the bottom) at the person talking. It should be close to them, but not TOO close.
Record three takes of the words you want
Record at LEAST three “takes” of the words that you want to have. That way, I will be able to choose from the best of the resulting versions. Sometimes a word might get cut off, or the speaker trips over a word. If you have them repeat their lines three times, then I can put together the best version of the words.
Speak clearly and with passion!
While the voice talent may be reading from a paper, they should nevertheless speak their part with conviction! Speak each word clearly, and make sure that sentences are not run together. Most of all, speak the words with as much “character” and emotion that you can muster! If you are worried about being too “over the top”, that’s okay; that’s why you record several takes. Do the first take “normal”, then do take two with MORE emotion, and then in take three, let it all hang out! You can decide, after you record, which one is the best to use. In many cases, you may think you are being way over the top, but that might be exactly the right emotion to convey the message in a dynamic way.
Most of all; have a blast doing it, knowing that your words are going to be heard over a performance sound system.
Here’s a link to previews of a number of edited and prepared spoken word soundtracks for dance routines.
Normally, when you come across a short song when searching for music for your routines, you breathe a sigh of relief. You think to yourself, “Thank goodness, I don’t have to cut this one!” However, occasionally the song is TOO short. Into the void steps this extended (2:23), rockin’ fun version of Let It Snow! by the Brian Setzer Orchestra, perfect for a group tap routine. This song is simply begging to be used in a tap routine, and is great for any age dancers.