Tag Archives: song

Confident by Demi Lovato – Clean lyrics version

demi_lovato___confident_cover_by_littlemonsterlovatic-d96cwvpConfident by Demi Lovato is a hot new song that has a great beat for dance. There is both an Explicit version and a Clean version on iTunes. However, even the clean version has some lyrics that are not necessarily well suited for kids.

Squirrel Trench Audio now has three great-sounding edited versions with clean lyrics, suitable for all ages and situations, including dance studios, competitions, recitals, and talent shows. Each of these edits is $4.99.

Here is the 2:45 length version:

Also available is a 2:15 length version:

And a 1:58 length version:

For more great songs that have been cleaned of objectionable lyrics, Squirrel Trench Audio has a collection of full length clean songs here:

And in fact, Squirrel Trench Audio’s entire catalog on Legitmix is clean, so any remix or edited song you find there, that is created by Squirrel Trench Audio, is clean. Search the Squirrel Trench catalog on Legitmix here.

Emergency by Icona Pop — Clean lyrics version

After the smashing appearance in the opening number to the recent Dancing With the Stars episode, Emergency by Icona Pop has been flying up the charts. Unfortunately, for dance teachers and choreographers, the only version currently available on iTunes is Explicit.

Squirrel Trench Audio now has a great-sounding version with clean lyrics, suitable for all ages and situations, including dance studios, competitions, recitals, and talent shows. The full-length version is $4.99.

Also available is a 2:15 length version:

We have also created a Spicy Clean remix with a 2:32 length:

For more great songs that have been cleaned of objectionable lyrics, Squirrel Trench Audio has a collection of full length clean songs here:

And in fact, Squirrel Trench Audio’s entire catalog on Legitmix is clean, so any remix or edited song you find there, that is created by Squirrel Trench Audio, is clean. Search the Squirrel Trench catalog on Legitmix here.

Revealing the Royals – Desiree’s Dancers

Choreographer/teacher Desiree Johnson runs Desiree’s Dancers in David City, Nebraska, a subsidiary of Barb’s School of Dance in Columbus, Nebraska. Desiree contacted me about a year ago to craft a custom remix for her production called Revealing the Royals. Assistant choreographers for this routine were Melinda Allen, Becky Brandenburg, and Kayla Hollatz. Here is a video of this four-minute masterpiece. Congratulations to Desiree and all of her dancers on a spectacular creation!

Rafaela Montanaro – Pole Sports champion

I am extremely honored to have been chosen to create an original remix for international pole sports champion Rafaela Montanaro. This remix incorporates a classic performance of Le Cygne, combined with an original techno orchestration for part of the piece. Last night, Rafaela competed her original routine at the U.S. Pole Championships in New Orleans, and took second place. This award qualifies her entry into the World Championship in London in July. Congratulations Rafaela!

How to avoid taking a financial loss on music at your dance studio

piano keyboard money billsMusic is a part of every dance studio. Music is used in just about every dance routine. Therefore, it’s important to have a good understanding of the costs of music in your studio, and how to charge appropriately for it, so that you don’t take a loss on your studio’s music expenses.

There are two major expense areas associated with music in the dance studio, Performing Rights Organizations (PROs) licensing fees, and music editing and remixing costs. In addition to these two costs, there are potentially other expenses if you have a competitive studio and audio CDs must be created for competitions. Also, if students expect to receive rehearsal CDs, there is a cost associated with that as well. However, for this article, I will ignore CD-creation costs since today there are online options for sharing music privately with students, and many competitions accept music uploads or submission via iPod or flashdrive.

To find out dance studio’s Performing Rights Organization costs, I contacted the two primary PROs in North America, ASCAP and BMI, and found their published annual fees for different sized dance studios. (Size is determined by total number of students.) I ignored SESAC licensing fees since the number of music artists they represent is a very small fraction of the other two major music PROs, and many dance studios don’t use any music represented by SESAC.

This leaves us with the last major expense in music for a studio; editing or remixing music to optimize it for dance routines. No matter what avenue you use to get your dance studio’s music edited or remixed, whether it’s done yourself, left up to each dance teacher, or if you hire a professional, there is a value associated with music editing that should never be absorbed by the studio nor the choreographer. In my experience, $29 is an average value for editing a song optimally for dance routines. In addition to editing a song, many popular songs today need to be cleaned of inappropriate lyrics, which requires skill and time to do. Also, competitive studios may benefit from having unique remixes created for group routines, especially high-calibre or “elite” teams. These unique remixes can be created at an average price of $99.

I have prepared a spreadsheet, below, showing the total music costs using average studio sizes shared by members of the Facebook group, Dance Teachers’ Network. I have divided the spreadsheet up into three typical studio sizes; a smaller studio with 130 recreational students and no company students; a medium studio with 352 students of which 77 are competitive; and a large studio with 690 students of which 115 compete.

Dance studio music financials 2015

The important thing to note is that in order not to have a loss on the studio’s music costs, these example studios charge a modest annual music fee per student. For many studios, $19 per student will cover all music expenses, and create positive cash flow for the studio, an extra $800 for the small studio example. However, each studio is unique, and will have a slightly different cost structure. After analysis, you may discover that you have a high number of routines per student (such as the Medium-sized studio in this example), and if that’s the case, the annual music fee you charge might have to be $24 or $29 per year in order not to take a loss.

Bear in mind that every studio is different in its approach, in terms of number of students and number of routines performed, and therefore the annual music fee needed to result in a profit and not a loss for each studio is different as well. The important thing is to run the numbers for YOUR studio, so that you come out ahead, or at the very least, break even. (It’s best to build in a small profit cushion to guard against unexpected expenses that always seem to crop up.)

If your studio has never charged an annual music fee before, you may have some dance parents question this new charge (even if it’s pretty small). Keep your explanation simple and straightforward; that this small annual fee covers all of their student’s dance music expenses for the year, including obtaining the license to use the music in their routines from the relevant Performing Rights Organizations, as well as all editing and remixing costs.

Alternatively, in your studio’s market, it just may not be feasible to have an annual music fee to be competitive with other studios in your area. If that’s the case, the music fee of approximately $19 could be added to your regular annual registration fee.

In the spreadsheet above, I have shown two different options (out of many) that a studio could choose in order to create positive revenue associated with the studio’s music. In Plan A of the spreadsheet, the same annual music fee is charged to both Recreational and Company students. However, it’s reasonable to charge Company students a slightly higher music fee since they often perform in more routines, especially solos, or in elite groups which have more expensive custom remixes. Therefore, in Plan B of the spreadsheet, I show the studio’s net music profit if Company students are charged an additional $10 over what Recreational students are charged.

In all cases, this spreadsheet shows how smart dance studios cover their music costs (and even have a few dollars left over). Conversely, studios that don’t charge an annual music fee wind up having to absorb their music expenses from other studio revenue.

If you are a dance studio owner, and have any questions about properly handling music income and expenses for your studio, please feel free to send me an email at morriss@squirreltrenchaudio.com. I’d be happy to provide you with a modification to this spreadsheet using your studio’s exact number of students and routines.

As always, if you have music editing or remixing that you’d like to have done flawlessly and professionally, please email me, visit my Legitmix library, or use this online Request Form.

Happy dancing!

Savannah Ballet’s Little Mermaid

IMG_1624I am extremely honored to have helped the Savannah Ballet with the music and sound design for their production of The Little Mermaid. The premier performances were this past weekend (April 24 & 25, 2015), and received rave reviews from those that attended. Managing Director Abby McCuen asked for my assistance in assembling a collection of about a dozen songs into a cohesive 45-minute set for Act I of the ballet. It was an exciting and challenging project, and Abby received several compliments on it. Here are a couple of photos from this beautiful performance. Click on either one to enlarge it.

For more photos, view Savannah Ballet’s photo album on Facebook.IMG_1780

 

Uptown Funk – Super squeaky clean version

uptown white carResponse to Squirrel Trench Audio’s clean versions of Uptown Funk has been overwhelming. It’s wonderful to know that dance teachers, fitness teachers, school recitals, hip hop classes, and more, will all be enjoying a clean, school-age appropriate version of this instant classic hit. Mark Ronson and Bruno Mars have come up with an amazingly fun, funky, and catchy tune.

In addition to the full-length clean version, we now also offer a super-squeaky clean version of Uptown Funk, with the words “sexy” also removed in addition to all of the other objectionable lyric content removed. This version also has the exciting intro as played in the band’s Saturday Night Live performance from the fall of 2014. Take a listen to the super-squeaky clean version:

This version now complements the many other clean versions Squirrel Trench Audio has created for you. Here are links to all the other versions and lengths:

4:28 (Full length, regular clean)2:582:46 • 2:322:151:59

If you know you need a shortened version, but aren’t sure which one to get, you can get every version in this clean Uptown Funk collection here:

Get more Squirrel Trench remixes at Legitmix

In addition to having just about every clean version of Uptown Funk you might need, we have also done customized versions as well. If you need a clean Uptown Funk, but with something modified, we can get that done for you. Just use this Request Form, and we’ll make it happen.

All You Need Is Help From Friends

the-voice-judges-finale-performance-with-a-little-help-from-my-friendsRecently a dance teacher requested a mix of songs, for the benefit of a little girl fighting stage 4 cancer. This teacher wanted to use the song All You Need Is Love combined with others for a 2.5 minute routine. I added the Tom Petty song I Won’t Back Down and wrapped it up with With a Little Help from My Friends. To create freshness, I used cover versions of all of these songs; Brandi Carlile’s upbeat version of All You Need Is Love, Blake Shelton & Dia Frampton’s The Voice version of I Won’t Back Down, and concluded with Brandon Roush’s The Voice version of With A Little Help From My Friends.

This uplifting and original Squirrel Trench mix is perfect for any dance routine designed to pay tribute and be inspiring to someone going through a tough time, whether it’s a medical battle or the loss of a loved one.

Get more Squirrel Trench remixes at Legitmix

Uptown Funk Clean Lyric Sheet

bruno-mars-snlAs the creator of the popular clean edit of Uptown Funk by Mark Ronson, featuring Bruno Mars, I was recently asked to supply a lyric sheet of this cleaned version.

Here is a link to the PDF of Uptown Funk (Squirrel Trench Clean Version) lyric sheet.

The full-length clean version of Uptown Funk is available here on Legitmix for only $4.99. This clean version features the exciting intro as performed on Saturday Night Live, as well as being sped up slightly for maximum excitement while retaining the fantastic groove.

In some cases, the words “sexy” and “flaunt it” need to be taken out as well. For those instances, we have the super squeaky version where that has been eliminated also:

In addition, there are five edited versions available for just about any dance routine you might need; 2:58, 2:46, 2:32, 2:16, and 1:59. They are available individually for $9.99, or you can buy every length for $11.99:

Get more Squirrel Trench remixes at Legitmix

Lyrics that have been eliminated from these clean versions include “damn” “bitch” and “put some liquor in it”. “Sexy” and “Flaunt it” have also been removed from the super squeaky clean version and the shortened versions. Click on the above PDF link to see the full lyric contents. Words that have been eliminated are shown with a strike-through.

We also do custom editing, so if you need a version of Uptown Funk, but didn’t find exactly what you need here, use the online Request Form here.

The reason you don’t want audio from YouTube videos

youtube logo (6)There are many reasons why it’s a bad idea to extract audio from YouTube.

1) It’s illegal.

2) Even pristine audio is somewhat degraded since YouTube uses mp3 encoding of any audio submitted. In many cases, it’s an mp3 of an mp3 of an mp3….. and the audio gets worse every time it’s re-encoded in this manner.

3) But if the above reasons are not enough to convince you it’s a bad idea to extract audio from a YouTube clip, then realize this:  In many cases, what you are listening to on a YouTube clip is the room in which the audio was played. Even if the clip doesn’t have audience noises, like coughing, moving around in seats, and other assorted venue noise, the audio is playing back over a sound system, and being picked up by a microphone, along with all of the reverb, reflections, and echoes of the room in which the music is being played. All of these things combined downgrade the audio, sometimes a little bit, and sometimes to the point of pure garbage. But it’s never as clear as it could be. And once degraded in this way, there is no practical way to restore it, except to go back to the original source. That is why, when creating music edits and remixes for dance teachers, Squirrel Trench Audio always goes back to source audio whenever possible.

If you want GOOD, CLEAN audio, DON’T get it from YouTube!