Tag Archives: songs

Fresh takes on classic dance songs, part 2

I’ve said it before, and I’ll say it again. There is NO excuse to use the same old worn out songs when selecting music for your dancers. Classic songs are wonderful, and they are even MORE wonderful when you choose a fresh new version of them. These cover songs are usually at least as good, and often better, than the original, and have the added benefit of KEEPING THE AUDIENCE INTERESTED in the dance performance they are watching. (Judges too will be more perked up by something FRESH and NEW.)

To aid you in this quest for music FRESHNESS for your dance routines, here are a number of outstanding covers of classic songs:

I’ve Got The Music In Me – Sing Off Contestant Ensemble; Boogie Pimps; Jump 5; Paul Cacia; Le Freak; Miguel Olivares-Alvarez

Footloose – The Bacon Brothers (live); The Madison Project (a capella)

It Don’t Mean a Thing (If it ain’t got that swing) – The Hula HoneysBubbling Brown Sugar; Randy Greer & Robin Nolan Trio; Lisa Ono; Joscho Stephan (fast!); Real Group

In an earlier post, I link to some fresh cover alternatives to It’s Raining Men.

Check out more Antidotes to worn out hits. Also, there is a set of pages on this blog devoted to giving you song ideas for dance competition, grouped by dance category: JazzTapLyricalContemporaryMusical Theater, and Kid-Friendly Hip Hop.

What alternative cover of a popular dance song have you enjoyed using? Post your favorites here in the comments!

Top 5 care tips for your CDs

In today’s world, often the best way to store and play your dance and competition music is on your iPod, iPhone, mp3 player, or laptop. But CDs haven’t gone away just yet, and is still the most reliable source for playing music at competitions, because society has not yet quite embraced cloud computing.

So many dance teachers, studios, and dancers still rely on CDs for their music, as well they should. But many people also don’t realize that these shiny discs that play your music beautifully with no hiss are NOT indestructible. So here are my Top 5 tips to make sure your CD plays right every time, and does not start skipping at the worst time… like in the middle of competition!

  1. ALWAYS ALWAYS ALWAYS keep your CDs in its sleeve or its case.
  2. NEVER NEVER NEVER stack CDs on top of each other… this can cause circular scratches, which are the worst kind, much worse than scratches that go from the center out to the edge.
  3. ALWAYS handle a CD by its edges; avoid fingerprints on the shiny part
  4. DON’T expose a CD-R (a custom burned CD) to direct sunlight. Too much exposure to a strong light source will render a CD-R unreadable.
  5. DON’T keep your CDs in your dance bag. Dance bags can collect dirt and other abrasive particles as they travel around, and this debris can work its way into your CD sleeves which will rub around and cause scratches.
  6. If you absolutely have no other choice but to put your CD in a dance bag, put the CD and it’s case inside a sealed ziploc bag so that dirt can’t get in and ruin the playability of it.

Top 5 song editing mistakes

I just got back from a spectacular regional dance competition, where my original remix Pixie Hollow premiered. The dancers were truly spectacular and brought a tear to my eye. I can’t wait to see them perform it again in two weeks.

It was truly a pleasure to watch so many fantastic dances, and hear the wonderful music that the dance teachers had chosen for their students. I could see how much hard work had gone into each number to bring it to fruition on stage.

Being a musician and not a dancer, I paid special attention to the music, and how the dance and music worked together in the performances. I was very happy to hear no major squirrel trenches in any of the songs I heard. However, I couldn’t also help but notice that there were minor glitches in the music editing of many songs. So in my quest to help eliminate bad music edits from all dance competitions, I present to you the top 5 music editing mistakes I hear in songs played at competition. In subsequent posts, I will explain in detail how you can avoid each one. While most judges won’t deduct points for these mistakes, any one of them takes away from the musicality of the dance that you are striving for. Any of these mistakes takes attention away from the dancer and makes the performance less enjoyable to watch.

1. Awkward fade out

2. Mis-matched phrase edit

3. Abrupt cut

4. Drop-out edit

5. Frozen statue intro

Let’s discuss the first two in a bit more detail. Again, future blog posts will explain more about each one of these pitfalls, and more importantly, exactly how to avoid them in your own music editing.

The awkward fade out (and its cousin, the abrupt ending) is by far the most common music editing mistake I hear in dance competitions. It’s easy to understand why it happens. You find a great song, and virtually all popular songs are too long for competition. So what is the easiest thing for a time-pressed dance teacher to do? Fade it out at the proper length for competition. But while it’s easy to do this, it’s very much worth the time to avoid this practice. With the awkward fade out, your dancer is usually left either holding their ending pose or begins to exit the stage, while the auditorium falls into silence. The audience doesn’t start applauding and cheering because they aren’t sure that the performance has actually ended. There’s nothing worse for your performers’ self-confidence than the nervous silence, followed by the too-late applause created by the awkward fade out. Often these strange fade-outs occur in middle of a verse or some other equally unexpected point in the song. As I’ve said in an earlier blog post, if your song has a clear ending, use it. [Update: Here’s exactly how to do it.]

The mis-matched phrase edit is another common song editing mistake, and one which can be quite problematic from a dance point of view. Most dancers love a strong groove, a catchy or funky beat, that propels them to dance. And most dance music (though certainly not all) is in 4/4 time. Dancers learn to count in 8s, which corresponds very nicely to most musical phrasing, which usually occurs in groups of 4-beat measures. While musicians learn to count in 4s, these groups of measures often occur in even multiples, such as 8 and 16, and these patterns usually can also be lumped together in groups of 24 and even 32. How strange then, when the editing of music occurs in mid-measure, and sometimes even in mid-beat. Here is what this pattern looks like in written form, from a dancer’s point of view:

8, 8, 8, 8, 8, 8, 8, 8, 8, 11.3, 8, 8, 8, 8, 8, 8, 8, 8, 8.

No wonder your dancers are having a hard time with this section of their song- it not only has an odd number of beats, it also has a partial beat! OUCH! It’s nearly impossible to get your dancers’ moves clean when the music itself is not clean in this way. Inevitably, this type of editing flub kills the groove and pulse of the music.

Well, that’s all for this blog post. In future posts, I will give you some very specific guidance on how to avoid these most-common song editing mistakes in your competition routines. In the meantime, if you have a song that has one of these mistakes in it, and you want it fixed in time for your next regional or nation competition, send me an email.

Clipping distortion

Most of the music at the Headliners Competition in Lowell this weekend so far has sounded really great. However, one song had quite a bit of distortion throughout the entire song. Perhaps it wasn’t enough for the judges to lower the dancer’s marks, but it was still very noticeable and distracting. This distortion sounded like a buzzing coming through the speakers. It was most likely a phenomenon known as clipping distortion.

For folks who are new to audio editing, you might be tempted to “turn it up” once you discover that you can make the song louder in your mixing/editing software than it was originally. This is almost always a BIG MISTAKE. Why? Because there is an upper limit to the volume possible to record in a computer audio file (an mp3, aiff, wav, aac, etc), or on a CD. If you try to make your song go louder than this upper limit, you are simply introducing noise and crackly distortion into your song.

Without getting too far into the technicalities of this maximum level, let’s just say that 90% of the time, raising the volume will result in nasty sounding distortion. The judges have a long enough day as it is without assaulting their ears with this noise.

Older recordings that sound soft or any music which has soft passages CAN be made to sound louder through expertly applied mastering techniques such as upward compression and judicious use of peak limiting, but this is best handled by an audio professional. Too much peak limiting (a form of compression) can result in a squashed sound, leaving your track lifeless, dull and weak; which is exactly the opposite of your intended result of creating a cranked and pounding track.

Bottom line: DO NOT INCREASE THE VOLUME of your songs and tracks when editing them on a computer, unless you are okay with a crackly distorted sound for your music. In most cases, your songs are already as loud as they can go without further professional enhancement. Once you create clipping distortion in an audio file, there is NO WAY to remove it. The only way to get rid of it is to trash the distorted version and go back to the original version.

If you’re using a song that needs its volume goosed up a bit, feel free to email me and I can likely make the track sound louder without causing any clipping distortion. This is especially true if the song is an older song, or even a modern song with passages that are too soft when played over a typical sound system that dancers perform with.

For more on the dangers of trying to get your audio tracks louder, check out: The Losers of the Loudness Wars

If you are looking to get your track louder without suffering clipping distortion, check out my mastering services.

World Premier of Pixie Hollow

The world premier of my song remix titled Pixie Hollow will happen tomorrow afternoon at Lowell Auditorium at the Headliners Regional Competition. Lesley Lambert, Assistant Director at nationally recognized dance studio, is leading her group of mini’s in a character dance. The Pixie Hollow medley features several parts, including spoken voice, light & airy synthesizers, and a couple of rocking Selena Gomez tracks. The effect should be magical! I’m extremely excited to see this debut tomorrow.

Update:  You can now hear Pixie Hollow and get a few glimpses backstage at the costumes here: Pixie Hollow unveiled

Fresh takes on classic dance songs

As we enter full swing of the competition season, it’s a great time to reflect on song choices for the dance routines. Out of the millions of songs that have been written since the dawn of mankind, why is that some songs get completely worn out at dance competitions? Often it’s because they are used in a hit movie or a memorable episode of SYTYCD, and suddenly everyone thinks that they are the only person to have the idea to use it for their own dance routine.

Well, popular songs are popular for a reason. Something about them connects with us, and has an emotional appeal that is hard to explain. But when they are over-used, it creates boredom for the judges. You want to present the judges (and audience) with something as fresh as your beautiful choreography deserves.

Even when you decide to go with a popular song, there are usually many ways to keep the song fresh for your dancer(s) and the judges. One way is to look for alternative versions than the most popular one. You could see if the original artist has a live version of the song. Often these live versions will have more energy than a studio-recorded song because it was performed in the presence of an audience. Often times if a song is extremely popular, other artists will do their own interpretations of it. Usually the best of these “cover songs” will be in a style that is very different than the original. If the song sounds nearly identical to the original, than why bother using it?

When looking for alternative versions of popular songs, check out the Vitamin String Quartet. This prolific recording team has made classical string versions of hundreds upon hundreds of popular songs. In fact, they have more than 370 albums in the iTunes store.

Here is one example of an overly popular dance competition song that has alternative versions that are very different stylistically from the original:

Original: It’s Raining Men – The Weather Girls
Fresh Versions:

Check out more Antidotes to worn out hits. Also, there is a set of pages on this blog devoted to giving you song ideas for dance competition, grouped by dance category: Jazz, Tap, Lyrical, Contemporary, Musical Theater, and Kid-Friendly Hip Hop.

Selecting songs for dance competition

Looking for a fantastic song for your next dance routine? You’ve come to the right place. Check out our listings of great songs for dance routines in the styles of:  JazzTapLyricalContemporaryMusical Theater, and Kid-Friendly Hip Hop. You can also browse our Legitmix catalog below. If you have a song that needs to be edited for dance competition or recital, Squirrel Trench Audio is ready to get it done for you. Click here for a custom remix order form.

What makes a good song choice for dance competitions?

• a great beat
• appropriate tempo
• fits the dance student
• fits the style of dance
• the teacher enjoys it too (since he/she is going to hear it 500 times during rehearsals!)
• it’s not overused in dance competitions and recitals

How can you find songs that are off the beaten path? Here are several ways:

• Check out the Song Selections for various dance styles on this site
• Go to dance.net and check out song ideas offered by other dance teachers, or dancemom.com
• Go to iTunes or iTunes radio, and find songs you like. Browse other songs and artists that iTunes suggests are similar
• Go to Spotify or Pandora.com and start a new “channel” with a song you like, and see what songs it puts into the playlist of that channel

You can also find songs ready to be danced in Squirrel Trench’s Legitmix catalog:

Get more Squirrel Trench remixes at Legitmix

Happy dancing!

Songs edited this dance season

I’ve been busy here at Squirrel Trench Audio getting songs ready for the upcoming competition season. It’s been a blast doing the music editing for this Top 10 studio, and I can’t wait to see the amazing routines this studio will do with the music this year!

The piece I am most excited for is a medley/original creation we’ve called “Pixie Hollow.” This character piece for 8-10 year olds was envisioned by dance instructor Lesley Lambert. She supplied me with several related pieces of music, including spoken voice, which I then wove together into a spritely montage. I know this is going to win some awards this year!

Other songs which I’ve edited this season include:
Jump, Jive & Wail – Brian Setzer Orchestra
Dancin’ Fool – Ballroom Orchestra
Fabulous – Chelsea Staub
Wake Me Up Before You Go Go – Three Girlzz
Let It Snow – Brian Setzer Orchestra
I Want To Go To Hollywood – Sutton Foster
Walk This Way (a fun medley which transitions from a Ballroom Orchestra swing version of the song to Aerosmith live)
Won’t You Charleston With Me? – Harvey Evans & Sandy Duncan
I Wish – Stevie Wonder
It Don’t Mean A Thing (If It Ain’t Got That Swing) – Charlotte Swing Masters
All I Want – Bobby McFerrin
One Way Or Another – Mandy Moore
Fever – A Fine Frenzy
That Old Black Magic – Jeremy Davenport
Cheek To Cheek – Eva Cassidy
The Dynamo of Volition – Jason Mraz
Gravity – Lucy Schwartz
Dynamite – Taio Cruz

All these songs will be danced at the Headliners’ competition in Lowell MA from March 11-13, Star Systems in Worcester MA from March 25-27, and at OnStage New York competition in Springfield MA from April 2-3.