Tag Archives: nationals

Congrats to Joleen’s Starz of the South

Starz of the SouthA huge congratulations to Joleen’s Starz of the South studio who took home some serious hardware from the NYLA Dance Nationals in Biloxi Mississippi from June 12-15. “Music of the Night” featured a five-minute-plus Squirrel Trench-mixed soundtrack for this production number. In addition to Music of the Night, Starz of the South won in many other categories with routines featuring Squirrel Trench edited and mixed music, including Oceans, a Baseball-themed mix, My Flawz, Egyptian Style, Dirty Laundry, and Crazy in Love. Three additional special numbers were: a remix of Lady Gaga’s Applause, a moving 9-11 tribute, and a NYC street drumming scene. Here are the complete results from Starz of the South’s Nationals.

Here’s what studio owner Joleen had to say:

“We absolutely loved all of our music you created for us. 🙂 Music of the Night won an overall highest scoring group/production and 1st place at Nationals. All of our music sounded amazing and we received great judges comments on all of our mixes and cuts. Thanks again!”

– Joleen Sanders, studio owner
Starz of the South, Vancleave MS,
July 5, 2014

How to find fantastic music that isn’t overused

Happy-New-Years-Fireworks-2014-WallpaperFor all the dancers going to Nationals in the next few weeks, break a leg! I know some studios have already finished their Nationals, but in any case, the 4th of July for many dancers, teachers, and studios means it’s time to start working on music for the upcoming season.

Just thought I’d share this tidbit, that comes courtesy of my girlfriend, dance teacher extraordinaire Lesley Lambert, for finding that hidden gem of a song… you know, that one you hear at a dance comp, and can’t believe that no one else is using this amazing song. Here’s one way to do it:

Go to Spotify or Pandora or iTunes Radio, and play a song that you really like. Then turn it into a radio station, and you’ll have a whole bunch of similar songs, many of which you may have never heard of before. Give them a listen, and pick out the gem for your next routine!

Happy hunting and happy independence day!

Clean your dance, clean your music

clean_music_by_fatihakgungorCompetition season for dancers is here in earnest. This past weekend featured two studios utilizing Squirrel Trench music for their routines at the same competition (27 routines!). We’re thrilled to report a slew of 1st Places, Platinum, High Golds and Overalls were garned by these dedicated and hardworking dancers and choreographers.

Now that we’re in the competition phase of the year, don’t forget to clean your music at the same time you’re cleaning your routines and costumes. If there is a hiccup, jump, skip, mis-matched beat in your music, or section of music that is too soft, or not punchy enough, too fast or too slow, it’s not too late to get it fixed in time for the next regionals competition.

Already, Squirrel Trench Audio has helped dance teachers and studio owners get higher scores for their routines in a number of ways. For one tap number, the dancers were rushing too fast for the music. Solution? Speed up the music. For another studio, the routine was receiving deductions for inappropriate language. Solution? Inappropriate language obscured through clever remixing by Squirrel Trench. For another studio, the music they were using was too soft compared to all the other music being used. Solution? Brought up to current loudness levels by Squirrel Trench through a process known as mastering.

We know that many dance teachers and studios cut their own music. One of the potential pitfalls to self-cut music is that in the course of rehearsing the number five hundred times, any mistakes or hiccups eventually sound normal, just because you become used to hearing it that way. Of course, the judges will be hearing it for the first time, and if there is a hiccup, skip, jump or any other strangeness in the audio, it detracts from the polish you’ve worked so hard to achieve with your students.

So find a friend who can listen to your competition music with fresh ears. If they hear something that doesn’t sound right, send it my way to get it fixed in time for your next Regionals, so that you’ve got it the best it can be in time for Nationals. If you have something that needs fixing, use this Online Request Form, or email me at: morriss@squirreltrenchaudio.com

Related articles: Time to Fix Things Up • Pump Up The Volume • Fix Your Music in Time for Nationals

Ready for some musical inspiration?

DANCE-silhouetteDance teachers, and studio owners, this post is for you.

Right at the peak of Regionals competition season, heading into recitals and possibly Nationals, there is much that needs to be worked on. Some of you are also getting ready for a new season of routines, which means new choreography, which means new music.

When you are ready to start working on the next season, and need musical inspiration, then look no further than a Squirrel Trench Audio custom remix. Every piece of music is worked on individually and uniquely for YOU and your dancer’s needs. There is no cookie-cutter process, and you will not hear your music used by another dance studio. For dancer teachers who love great music, we think the difference between a piece of music which is custom crafted just for you and your dancers is a difference that can be FELT throughout your process of working with your students. You KNOW that this music is YOURS and YOURS ONLY which is something you can feel great about.

We’ve created custom remixes for a number of dance studios throughout the country, including Beatles remixes, Michael Jackson remixes, Janet Jackson remixes, hip hop remixes, movie/Broadway soundtrack medleys, and many others. We’ve also done scary horror-movie themed remixes, and Dancing Through the Ages medleys. We can do recital opening/grand finale numbers such as this fun Wizard of Oz production.

If a Squirrel Trench custom remix is just the ticket to get your choreographic creative juices flowing (especially for your teen, junior and senior groups), then the process is easy. Just email me (morriss@squirreltrenchaudio.com) or give me a call at 413-535-0621 to discuss the ideas you want shaped into the music for your routine. Pricing varies depending on the complexity of the project, but is generally in the range of $89 to $129.

Call or email me when you are ready to get started!

Time to get your music ready for the 2012-2013 season

Here it is, the end of May, and for most dance studios, that means that Regional competitions are over, and it’s Recital time! As the dance season winds down, and studios get ready for Nationals, Summer Intensives, and Summer camps, now is the perfect time to start getting your music ready for the 2012-2012 season.

If you select your music within the next 1-2 weeks, and send it to me for editing, you can be sure you have the best music ready for your new choreography well ahead of Summer Intensives. Don’t make the mistake that many dance teachers make…. which is to choreograph first, and edit the music afterwards. The problem with doing it in this sequence is that in many cases, editing the song’s intro leads to a better soundtrack for your dance routine, and that is not possible if that part of the song has already been choreographed. If you choreograph the first minute-and-a-half of the music, you are tying your editors hands in terms of flexibility to deliver the best edited/remixed music possible.

Whenever you are ready to get your music edited, send an email!

Fix your music in time for Nationals

Now that it’s the middle of May, and many competitive dance studios have wrapped up their Regional competition season, it’s time to get ready for recitals and Nationals.

If your music is not all that it could be, it’s not too late to get it fixed in time for Nationals.

Is the music in your routine too soft? Too loud? Are there hiccups? Clicks? Pops? Are there swear words that you are getting point deductions for? Are there odd-beats? Double words? Is there not enough bass or low-end in the music?

Any of these common music editing problems can be fixed. Just email me a copy of the music as you are currently using it, and I will fix it. Most fixes can be done at the standard music editing rate of $39 per song. I will get the song repaired for you as quickly as possible to maximize the rehearsal time you have before recitals and Nationals.

Ready to step up your dance?

As has been pointed out previously, music is the foundation of dance. You can easily verify this for yourself by realizing what happens when the emcee plays the wrong music at a competition….. the dancer freezes because it’s not the right music.

If you are a high-level dance studio owner or teacher, and you regularly bring your students to regional and/or national competitions, and you want to step up your routines, where should you start? Answer: The music. If you are working with exciting music, music that gets your kids pumped up, they will naturally perform better. If you, as choreographer are excited about the music, you will bring your enthusiasm to the choreography you create. On the flip side, if you are using stale, flat, worn-out music, it’s hard to generate enthusiasm, either in yourself or your students.

What’s the answer? Try an original Squirrel Trench Mix. I’ve created many original mixes based on modern interpretations of classic songs, including train medleys, a Beatles remix, a slumber party theme, a Mary Poppins remix, a Pixie Hollow remix, and more. I also have a slate of original remixes and medleys scheduled to create for a studio in Canada that I am eager to begin work on shortly.

If you have a theme idea and you want the music to provide the foundation to help you create original, exciting choreography to break through the multitude of routines that judges will view, then contact me to find out about our editing and remixing services. I’m excited about the remixes I’ve already done for the upcoming season, and I can’t wait to create yours!

Break a leg in the upcoming 2011-2012 dance season!

Junior Mister Superstar at Star Systems Nationals

Katelyn and Jacob warming up for their Jump Jive and Wail duo

Congratulations to Jacob Lill for winning Junior Mister Superstar at Star Systems’ National dance competition 2011 at Myrtle Beach. Jacob was smooth on stage for his brief interview, citing his mother as the coolest person he’s met in real life, and finding nothing bad he could say about his home state of Connecticut. An hour later he was on stage performing That Old Black Magic, choreographed by Lesley Lambert. The music was by Jeremy Davenport, and edited by yours truly. It was somewhat of tricky song to edit, since the tempo of a jazz song will drift slightly through different sections of the song. I am very proud of the results of my audio editing, making the song perfectly seamless.

But I am even more proud of Jacob and his choreographer for all of the hard work they have put into becoming a National Champion!

And now Squirrel Trench Audio can claim to have edited the music for a National Dance Champion! For more on the keys to a winning dance routine, check out this entry.

On location at Star Systems Nationals, Myrtle Beach

myrtlebeach-laptop2Squirrel Trench Audio is on location this week, at Star Systems‘ National Dance Competition at Myrtle Beach, South Carolina. I’m looking forward to hearing a number of Squirrel Trench edited songs on a fantastic sound system, including Pixie Hollow, and seeing this routine and others performed by some amazing dancers.

And while being at Myrtle Beach for a week is a wonderful vacation, I am still responding to client requests. When this is my view, I don’t mind a bit.

**Update** Two of our studio’s dancers won National Titleist in their age category, including Jacob, who won with a Squirrel Trench-edited song. Congratulations to both Jacob and Jade! All told, 19 Squirrel Trench-edited songs were the foundation for solo and group performances at this Nationals.

Keys to a winning dance competition routine

As pointed out in this article on Suite 101, there are three keys to creating a winning dance routine for competitions.

1.) Start with fantastic and appropriate music. Dance is based on the foundation of music. If you don’t build your routine and choreography on wonderful music, then you are missing out on a major source of emotional impact on the audience and judges. I can help you select winning music for your next competition dance routine. I’ve attended numerous Regional and National dance competitions, and have decades of experience in music. When choosing songs, there are some songs (or versions of songs) that will leave the judges flat. I can help you pick something memorable and appropriate for your dancer. Just let me know the dancer’s personality, age and what song they’ve used previously, and I will give you a couple of suggestions for their next song. Whatever song you select, I can also edit it to the needs of winning competition routines, i.e. the correct duration, and any other minor adjustments it might need, such as a slight tempo change, or boosting the volume without clipping distortion.

2.) Choreography. I am no expert in this field, that is for YOU the dance teacher to make great. I agree with the article; great choreography nearly always tells a story. It doesn’t matter if the audience doesn’t fully understand the story conveyed, if there IS  a story, then the dancer has a message to transmit to the audience, and that’s the important thing.

3.) Costume. Dance is a very visual medium. While the music provides the auditory part of the routine, the costume provides the foundation for the visual part of the routine. The above referenced article goes into greater depth on costume choices.

4.) What this article leaves out is the most important part of a winning dance routine: PRACTICE. Practice equals love. If your student loves to dance, it will manifest itself in the practice habits of the dancer. One of my favorite sayings is the difference between amateurs and professionals is that amateurs practice until they get it right, PROFESSIONALS PRACTICE UNTIL THEY CAN’T GET IT WRONG.

So now we know that music is the foundation of the dance routine. Costume is the foundation of the visual part of the dance routine. Just as you wouldn’t put your dancer on stage with a ripped or torn costume, why would you put your dancer on stage with music that contains scars, hiccups, half-beats, partial measures, jumps, cuts, awkward fade outs, or unnatural silences? I’ve heard all of these music editing mistakes at competitions. Are they enough to reduce the scores from the judges? I don’t know, but why take a chance? Since you put countless hours of rehearsal into your choreography and practice every week, shouldn’t your music reflect the same meticulous level of detail and precision?

When you are ready for your music to step up to your dance, Squirrel Trench Audio is here to deliver.

What have YOU found to be the key to creating a winning dance competition routine?